BIBLIOGRAPHY OF SECONDARY DICKINSON RESOURCES

Books

Agrawal, Abha. Emily Dickinson, Search for Self. New Delhi: Young Asia Publications, 1977.

Alfrey, Shawn. The Sublime of Intense Sociability: Emily Dickinson, H.D., and Gertrude Stein. Lewisburg, PA: Bucknell University Press, 2000.

Anderson, Charles. Emily Dickinson's Poetry: Stairway of Surprise. New York: Holt, Rinehart & Winston, 1960.

Arnold, Bill. Emily Dickinson's Secret Love: Mystery 'Master' behind Poems. Lake Worth, FL: PPB, 1998.

Bacigalupo, Massimo, and Natalia Ginzburg. Poesie. Milan, Italy: Mondadori, 2004.

---. Poesie Milan: Arnoldo Mondadori, 1995.

Barker, Wendy. Lunacy of Light: Emily Dickinson and the Experience of Metaphor. Carbondale: Southern llinois Univ. Press, 1987.

Barolini, Helen. Their Other Side: Six American Women and the Lure of Italy. New York, NY: Fordham UP, 2006.

Benfey, Christopher E. G.  Emily Dickinson: Lives of a Poet. New York: Braziller, 1986.

---. Emily Dickinson and the Problem of Others Amherst: U of Massachusetts P, 1984.

Bennett, Paula. Emily Dickinson: Woman Poet Iowa City: U of Iowa P, 1990.

---. My Life, a Loaded Gun: Female Creativity and Feminist Poetics. Boston: Beacon Press, 1986.

Bianchi, Martha Dickinson. Emily Dickinson Face to Face: Unpublished Letters with Notes and Reminiscences. Boston: Houghton Mifflin, 1932.

---, and Alfred Leete Hampson, eds. Further Poems of Emily Dickinson. Boston: Little, Brown, and Co., 1929

---. The Life and Letters of Emily Dickinson. Boston: Houghton Mifflin, 1924.

---, and Alfred Leete Hampson, eds. The Complete Poems of Emily Dickinson. Boston: Little, Brown, and Co., 1924.

---. The Single Hound. Doston: S.J. Parkhill, 1914.

Bickman, Martin. The Unsounded Centre: Jungian Studies in American Romanticism Chapel Hill: U of North Carolina P, 1980.   

Bingham, Millicent Todd. Ancestors' Brocades: The Literary Debut of Emily Dickinson. New York: Harper and Brothers, 1955.

---. Emily Dickinson: A Revelation. New York: Harper & Brothers Publishers, 1954.

---, ed. Emily Dickinson's Home: Letters of Edward Dickinson and His Family. New York: Harper & Brothers Publishers, 1955.

Blake, Caesar R. and Carlton F. Wells, eds. The Recognition of Emily Dickinson: Selected Criticism Since 1890. Ann Arbor: University of Michigan Press, 1964.

Bloom, Harold. Ed. Emily Dickinson: Modern Critical Views. New York: Chelsea House, 1985.

Bosquet, Alain. Emily Dickinson. Paris, France: Editions Pierre Seghers, 1957.   

Boswell, Jeanetta. Emily Dickinson: A Bibliography of Secondary Sources, With Selective Annotations, 1890 Through 1987. Jefferson, NC: McFarland, 1989.

Brantley, Richard. Experience and Faith: The Late-Romantic Imagination of Emily Dickinson. New York: Palgrave, 2004.

Brinnin, John Malcolm. Emily Dickinson. New York, NY: Dell, 1960.   

Brose, Nancy Harris, Juliana McGovern Dupre, Wendy Tocher Kohler, and Jean McClure Mudge. Emily Dickinson: Profile of the Poet as Cook. Amherst, MA: Hamilton Newall, 1976.

Brown, Amy Benson. Rewriting the Word: American Women Writers and the Bible Westport, CT: Greenwood, 1999.

Browner, Stephanie. Love and Conquest: The Erotics of Colonial Discourse in Emily Dickinson's Poems and Letters. (22 Feb. 2001).

Buckingham, Willis J. Emily Dickinson's Reception in the 1890's: A Documentary History. Pittsburgh and London: Univ. of Pittsburgh Press, 1989.

---. Emily Dickinson, an Annotated Bibliography: Writings, Scholarship, Criticism, and Ana, 1850-1968. Bloomington: Indiana Univ. Press, 1970.

Budick, E. Miller. Emily Dickinson and the Life of Language: a Study in Symbolic Poetics. Baton Rouge: Louisiana State University Press, 1985.

Burr, Zofia A. Of Women, Poetry, and Power: Strategies of Address in Dickinson, Miles, Brooks, Lorde, and Angelou. Chicago: Univ. of Illinois Press, 2002.

Cady, Edwin H., and Louis J. Budd. On Dickinson: The Best from American Literature Durham: Duke UP, 1990.

Cameron, Sharon. Lyric Time: Dickinson and the Limits of Genre. Baltimore and London: John Hopkins Univ. Press, 1979.

---. Choosing Not Choosing: Dickinson's Fascicles. Chicago & London: U of Chicago P, 1992.

Capps, Jack L. Emily Dickinson's Reading, 1836-1886. Cambridge, MA: Harvard University Press, 1966.

Carton, Evan. The Rhetoric of American Romance: Dialectic and Identity in Emerson, Dickinson, Poe, and Hawthorne. Baltimore: Johns Hopkins University Press, 1985.

Chase, Richard. Emily Dickinson. American Men of Letters Series. New York: William Sloan, 1951.

Clendenning, Sheila T. Emily Dickinson, a Bibliography, 1850-1967. Kent, OH: Kent State Univ. Press, 1968.

Cody, John. After Great Pain: The Inner Life of Emily Dickinson. Cambridge, Mass.: Harvard Univ. Press, Belknap Press, 1971.

Coghill, Sheila (ed. and introd.), Thom Tammaro, and Robert Bly. Visiting Emily. Iowa City, IA: Univ. of Iowa Press, 2000.

Conrad, Angela. The Wayward Nun of Amherst: Emily Dickinson and Medieval Mystical Women. New York: Garland, 2000.

Cooley, Carolyn Lindley. The Music of Emily Dickinson's Poems and Letters: A Study of Imagery and Form. Jefferson, NC: McFarland, 2003.

Crumbley, Paul. Inflections of the Pen: Dash and Voice in Emily Dickinson. Lexington, KY: Univ. Press of Kentucky, 1997.

Dandurand, Karen. Dickinson Scholarship: An Annotated Bibliography, 1969-1985. New York: Garland Publishing, 1988.

Danly, Susan, ed. Language as Object: Emily Dickinson and Contemporary Art. Amherst: University of Massachusetts Press, 1997.

David, Thomas A., ed. 14 by Emily Dickinson with Selected Criticism. Chicago: Scott, Foresman, 1964.

Delli-Carpini, John and Robert F. Morneau. Poetry as Prayer: Emily Dickinson. Pauline Books & Media, 2002.

Dickenson, Donna. Emily Dickinson. Leamington Spa: Berg, 1985.

Dickie, Margaret. Lyric Contingencies: Emily Dickinson and Wallace Stevens. Philadelphia: Univ. of Pennslyvania Press, 1991.

Diehl, Joanne Feit. Dickinson and the Romantic Imagination. Princeton: Princeton Univ. Press, 1981.

Dobson, Joanne. Dickinson and the Strategies of Reticence : The Woman Writer in Nineteenth-Century America. Bloomington and Indianapolis: Indiana Univ. Press, 1989.

Donoghue, Denis. Emily Dickinson. Minneapolis: U. of Minn. P., 1969.   

Doriani, Beth Maclay. Emily Dickinson, Daughter of Prophecy. Amherst, MA: Univ. of Massachusetts Press, 1996.

Duchac, Joseph. The Poems of Emily Dickinson: An Annotated Guide to Commentary Published in English, 1978-1989. New York, NY: G.K. Hall, 1993.

---. The Poems of Emily Dickinson: An Annotated Guide to Commentary Published in English, 1890-1977. Boston: Hall, 1979.

Duncan, Douglas. Emily Dickinson.  Edinburgh: Oliver & Boyd, 1965.  

Eberwein, Jane Donahue, ed. An Emily Dickinson Encyclopedia. Westport, CT: Greenwood Press, 1998.

---. Dickinson: Strategies of Limitation. Amherst: Univ. of Massachusetts Press, 1985.

Emily Dickinson, 1830-1886: A Bibliography.  Amherst, MA, .   

England, Martha Winburn and John Sparrow. Hymns Unbidden: Donne, Herbert, Blake, Emily Dickinson and the Hymnographers. New York Public Library, 1966.

Erkkila, Betsy. The Wicked Sisters: Women Poets, Literary History, and Discord. New York: Oxford UP, 1992.

Farr, Judith, and Louise Carter. The Gardens of Emily Dickinson.  Cambridge, MA: Harvard UP, 2004.

---. I Never Came to You in White. Boston & New York: Houghton Mifflin, 1996.

---. Emily Dickinson: A Collection of Critical Essays. Upper Saddle River: Prentice Hall, 1996.

---. The Passion of Emily Dickinson. Cambridge, Mass: Harvard Univ. Press, 1992.

Fast, Robin Riley, and Christine Mack Gordon, eds. Approaches to Teaching Dickinson's Poetry. New York: MLA, 1989.

Ferlazzo, Paul J. Critical Essays on Emily Dickinson Boston: Hall, 1984.

---. Emily Dickinson. Boston: Twayne, 1976.

Finnerty, Páraic. Emily Dickinson's Shakespeare. Amherst, MA: University of Massachusetts P, 2006.

Folsom, Ed and Kenneth M. Price. Dickinson, Slavery, and the San Domingo Moment.

Ford, Thomas W. Heaven Beguiles the Tired: Death in the Poetry of Emily Dickinson. Tuscaloosa: University of Alabama Press, 1966.

Franklin, R. W. The Poems of Emily Dickinson Cambridge, MA: Harvard UP, 1999.

---, ed. and introd. The Master Letters of Emily Dickinson. Amherst, MA: Amherst College, 1998.

---, ed. The Poems of Emily Dickinson I-III: Variorum Edition. Cambridge, MA, and London: The Belknap Press of Harvard University Press, 1998. Poems in this edition will be cited by "FP" and the number assigned by Franklin.

---, ed. The Manuscript Books of Emily Dickinson. Cambridge & London: The Belknap P of Harvard UP, 1981. References to this edition will use "F" or "Set" and the fascicles or set number assigned by Franklin.

---. The Editing of Emily Dickinson: A Reconsideration. Madison: University of Wisconsin Press, 1967.

Fraser, Robert S., comp., and Richard M. Ludwig, introd. The Margaret Jane Pershing Collection of Emily Dickinson.  Princeton: Princeton Univ. Lib., 1969.   

Frohock, Wilbur M. Strangers to This Ground: Cultural Diversity in Contemporary American Writing.  Dallas, TX: South Methodish UP, 1961.   

Fuller, Jamie (ed.) and Marlene McLouglin. The Diary of Emily Dickinson. San Francisco: Mercury House, 1993.

Further Poems of Emily Dickinson. Boston, MA, .   

Furukawa, Takao. Emily Dickinson no giho. Tokyo: Kirihara, 1980.   

Fuss, Diana. The Sense of an Interior: Four Writers and the Rooms That Shaped Them. New York, NY: Routledge, 2004.

Galinsky, Hans. Wegbereiter moderner amerikanischer Lyrik: Interpretations- und Rezeptionsstudien zu Emily Dickinson und William Carlos Williams. Heidelberg: Winter, 1968.   

Galvin, Mary E. Queer Poetics: Five Modernist Women Writers. Westport, CT: Praeger, 1999.

Garbowsky, Maryanne. The House Without the Door: A Study of Emily Dickinson and the Illness of Agoraphobia. Rutherford, NJ: Associated University Presses, 1989.

Gardner, Thomas. A Door Ajar: Contemporary Writers and Emily Dickinson.  New York, NY: Oxford UP, 2006.

Gelpi, Albert. The Tenth Muse: The Psyche of the American Poet. Cambridge, MA: Harvard UP, 1975.       

---. Emily Dickinson: The Mind of the Poet. Cambridge, MA: Harvard Univ. Press, 1965.

Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination.  New Haven: Yale UP, 1979.   

Grabher, Gudrun, Roland Hagenbuchle, Cristanne Miller, eds. The Emily Dickinson Handbook. Amherst: University of Massachusettes Press, 1998.

Greenberg, Robert M. Splintered Worlds: Fragmentation and the Ideal of Diversity in the Work of Emerson, Melville, Whitman, and Dickinson. Boston: Northeastern Univ. Press, 1993.

Griffith, Clark. The Long Shadow: Emily Dickinson's Tragic Poetry. Princeton: Princeton Univ. Press, 1964.

Guides at the DickinsonHomestead. Profile of Emily Dickinson as a Cook. Amherst, Mass.: Hamilton I. Newell, 1976.

Guthrie, James R. Emily Dickinson's Vision: Illness and Identity in Her Poetry.  Gainesville, FL: UP of Florida, 1998.

Habegger, Alfred . "My wars are laid away in books": The Life of Emily Dickinson. New York: Modern Library Paperback edition, 2002.

Hagenbüchle, Roland. Emily Dickinson: Wagnis der Selbstbegegnung. Tübingen: Stauffenburg, 1988.

Halpin, K.D. and Kate Nugent. EMILY unplugged. Northampton, MA: Sleeveless Theatre, Inc., 1995-.

Hampson, Alfred Leete. Emily Dickinson: A Bibliography.  Northampton, MA,.   

Harris, Julie. Emily Dickinson-A Self- Portrait. New York: Caedmon Records, 1968.

Hart, Ellen Louise, and Martha Nell Smith. Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson.  Ashfield, MA: Paris Press, 1998.

Heginbotham, Eleanor Elson. Reading the Fascicles of Emily Dickinson: Dwelling in Possibility. Columbus: Ohio State UP, 2003.

Heiskanen-Makela, Sirkk. In Quest of Truth: Observations on the Development of Emily Dickinson's Poetic Dialect. Jyvaskyla, 1970.

Higgins, David. Portrait of Emily Dickinson: The Poet and Her Prose. New Brunswick, N.J.: Rutgers Univ. Press, 1967.

Himelhoch, Myra; Patterson, Rebecca; Elliott, Gary D. Emily Dickinson Bull. 1972.

Homans, Margaret. Women Writers and Poetic Identity: Dorothy Wordsworth, Emily Bronte, and Emily Dickinson. Princeton University Press, 1980.

Howe, Susan. My Emily Dickinson. Berkeley: North Atlantic Books, 1985.

---. The Birth-mark: Unsettling the Wilderness in American Literary History. Hanover, NH: Wesleyan UP, 1993.

Hughes, Ted, ed. A Choice of Emily Dickinson's Verse. 1968.

Iwata, Noriko. Emily Dickinson: Ai to Shi no Junkyosha.  Osaka: Sogensha, 1982.    

Jackson, Virginia. Dickinson’s Misery. Princeton, NJ: Princeton UP, 2005.

Jacobsen, Josephine. Interviewed by Betty Parry. Truthtellers of the Times: Interviews with Contemporary Women Poets. Edited by Janet Palmer Mullaney. Ann Arbor: U of Michigan P, 1998.

Jenkins, MacGregor. Emily Dickinson, Friend, and Neighbor. Boston: Little, Brown, and Company, 1930.

Johnson, Greg. Emily Dickinson: Perception and the Poet's Quest. University, AL: University of Alabama Press, 1985.

Johnson, Tamara, ed. Readings on Emily Dickinson. Greenhaven Literary Companion to American Authors. Sand Diego, CA: Greenhaven Press, 1997.

Johnson, Thomas H. Final Harvest: Emily Dickinson’s Poems. Boston: Little, Brown and Company, 1961.

---, and Theodora Ward ed. The Letters of Emily Dickinson. Cambridge & London: The Belknap P of Harvard UP, 1958. References to letters in this edition will use "L" and the number assigned by Johnson.

---. Emily Dickinson: An Interpretive Biography. Cambridge, Mass.: Harvard Univ. Press, Belknap Press, 1955.

---, ed. The Poems of Emily Dickinson. Cambridge & London: The Belknap P of Harvard UP, 1955. References to poems in this edition will use "P" and the number assigned by Johnson.

---. The Poems of Emily Dickinson: Including Variant Readings Critically Compared with All Known Manuscripts. Cambridge, MA, .   

Juhasz, Suzanne, Cristanne Miller, and Martha Nell Smith. Comic Power in Emily Dickinson. Austin: Univ. of Texas Press, 1993.

---, and Christanne Miller, eds. Emily Dickinson: A Celebration for Readers: Proceedings of the Conference Held on September 19-21, 1986 at the Claremont Colleges. New York: Gordon and Breach, 1989.

---. "The Undiscovered Continent": Emily Dickinson and the Space of the Mind. Bloomington: Indiana Univ. Press, 1983.

---, ed. Feminist Critics Read Emily Dickinson. Bloomington: Indiana Univ. Press, 1983.

Kahn, Salamatullah. Emily Dickinson's Poetry: The Flood Subjects. New Delhi; Mystic, Conn.: Aarti Book Centre; Verry, 1969.   

Kamuf, Peggy. Signature Pieces: On the Institution of Authorship. Ithaca and London: Cornell Univ. Press, 1988.

Kauffman, Linda. Discourses of Desire: Gender, Genre, and Epistolary Fictions. Ithaca and London: Cornell Univ. Press, 1986.

Keller, Karl. The Only Kangaroo Among the Beauty: Emily Dickinson and America. Baltimore and London: John Hopkins Univ. Press, 1979.

Kher, Inder Nath. The Landscape of Absence: Emily Dickinson’s Poetry. New Haven: Yale UP, 1974.

Kirk, Connie Ann. Emily Dickinson: A Biography. Westport, CT: Greenwood, 2004.

Knapp, Bettina L. Emily Dickinson. New York: Continuum, 1989.

Lalli, Biancamaria Tedeschini. Emily Dickinson.  Florence: Monnier, 1963.   

Langton, Jane. Emily Dickinson in Dead. New York: St. Martin's, 1984.

Lawrence, Robert R., and Frederick L. Morey. Emily Dickinson Bull. 22., 1972.   

Lease, Benjamin. Emily Dickinson's Readings of Men and Books: Sacred Sounding. New York: St. Martin's Press, 1990.

Leiter, Sharon. Critical Companion to Emily Dickinson: A Literary Reference to Her Life and Work. New York, NY: Facts on File, 2007.

Leyda, Jay. The Years and Hours of Emily Dickinson. New Haven and London: Yale Univ. Press, 1986. Lilliedahl, Ann. Emily Dickinson in Europe: Her Reputation in Selected Countries. Washington, DC: UP of America, 1981.

Lilliedahl, Ann. Emily Dickinson in Europe: Her Reputation in Selected Countries. Washington, DC: UP of Amer., 1981.   

Lindberg-Seyersted, Brit. Emily Dickinson's Punctuation. Amer. Inst., Univ. of Oslo: Oslo, 1977.

---. Emily Dickinson’s Punctuation. Oslo: American Institute of Oslo, 1976.

---. The Voice of the Poet: Aspects of Style in the Poetry of Emily Dickinson. Cambridge, MA: Harvard UP, 1968.

Link, Franz. Zwei amerikanische Dichterinnen: Emily Dickinson und Hilda Doolittle. Berlin: Duncker & Humblot, 1979.   

Linscott, Robert N. ed. Selected Poems and Letters of Emily Dickinson. Garden City, N.Y.: Doubleday & Co., 1959.

Loeffelholz, Mary. Dickinson and the Boundaries of Feminist Theory. Urbana, IL: Univ. of Illinois Press, 1991.

Lombardo, Daniel. A Hedge Away: The Other Side of Emily Dickinson’s Amherst. Northampton, MA: Daily Hampshire Gazette, 2004.

Longsworth, Polly. Emily Dickinson: A Letter. Amherst: The Friends of the Amherst College Library. 1992.

---. The World of Emily Dickinson. New York: W.W. Norton, 1990.

---. Austin & Mabel: The Amherst Affair and Love Letters of Austin Dickinson and Mabel Loomis Todd. New York: Holt, Rinehart, Winston, 1984.

Loreto, Paola. La contemplazione dell'emblema: La poesia eretica di Emily Dickinson. Milan, Italy: Unicopli, 1999.

Loving, Jerome. Emily Dickinson: The Poet on the Second Story. New York: Cambridge Univ. Press, 1986.

Lowenberg, Carlton. Emily Dickinson's Textbooks. Ed. Territa A. Lowenberg and Carla L. Brown. Berkeley, Calif.: West Coast Print Center, 1986.

Lubbers, Klaus. Emily Dickinson: The Critical Revolution. Ann Arbor: The U of Michigan P, 1968.

Lucas, Dolores D. Emily Dickinson and Riddle. Illinois UP: DeKalb, 1970.

Luce, William. The Belle of Amherst. Boston: Houghton Mifflin, 1976.

McIntosh, James. Nimble Believing: Dickinson and the Unknown. Ann Arbor: University of Michigan Press, 2000.

MacKenzie, Cynthia. Concordance of the Letters of Emily Dickinson. Boulder, CO: Univ. Press of Colorado, 2000.

MacLeish, Archibald. Poetry and Experience.  Boston, MA: Houghton Mifflin, 1960.   

McNaughton, Ruth F. The Imagery of Emily Dickinson. Folcroft, PA: Folcroft Library Editions, 1973.

McNeil, Helen. Emily Dickinson. London: Virago, 1986. McSweeney, Kerry. The Language of the Senses: Sensory-Perceptual Dynamics in Wordsworth, Coleridge, Thoreau, Whitman, and Dickinson. Montreal, QC: McGill-Queen's UP, 1998.

Marder, Daniel. Exiles at Home: A Story of Literature in Nineteenth Century America Lanham, MD: UP of America, 1984.

Martine, Wendy. Editor and "Introduction," The Cambridge Companion to Emily Dickinson. Cambridge: Cambridge Univ. Press, 2002.

---. An American Triptych: Anne Bradstreet, Emily Dickinson, Adrienne Rich. Chapel Hill and London: Univ. of North Carolina Press, 1984.

Messiaen, P. Poémes Choisis.  Paris, France: Aubier, 1956.   

Messmer, Marietta. A Vice for Voices: Reading Emily Dickinson's Correspondance. Amherst: University of Massachusetts Press, 2001.

Meyerson, Joel. Emily Dickinson: A Descriptive Bibliography. Pittsburgh: U of Pittsburgh P, 1984.

Miller, Cristanne. Emily Dickinson: A Poet's Grammar. Cambridge, Mass., and London: Harvard Univ. Press, 1987.

Miller, Ruth. The Poetry of Emily Dickinson. Middletown, Conn.: Wesleyan Univ. Press, 1968.

Mitchell, Domhnall. Measures of Possibility: Emily Dickinson's Manuscripts. Amherst, MA: U of Massachusetts P, 2005.

---. Emily Dickinson: Monarch of Perception. Amherst, MA: Univ. of Massachusetts Press, 2000.

Mossberg, Barbara. Emily Dickinson: When a Writer is a Daughter. Bloomington: Indiana Univ. Press, 1982.

Mudge, Jean McClure. Emily Dickinson and the Image of Home. Amherst: University of Massachusetts Press, 1975.

Nakauchi, Masao. Emily Dickinson: Tsuyu no Horosha.  Tokyo: Nan'undo, 1981.   

Noble, Marianne. The Masochistic Pleasures of Sentimental Literature.  Princeton, NJ: Princeton UP, 2000.

Oberhaus, Dorothy Huff. Emily Dickinson's Fascicles: Method & Meaning. University Park, PA: Pennsylvania State Univ. Press, 1995.

O’Keefe, Martha Lindblom. This Edifice: Studies in the Structure of the Fascicles of the Poetry of Emily Dickinson. Privately Printed, 1986.

Oliver, Virginia H. Apocolypse of Green: A Study of Emily Dickinson's Eschatology. New York, Peter Lang, 1989.

Olney, James. The Language(s) of Poetry: Walt Whitman, Emily Dickinson, Gerard Manley Hopkins. Athens, Georgia: Univ. of Georgia Press, 1993.

Orzeck, Martin and Robert Weisbuch, eds. Dickinson and Audience. Ann Arbor: University of Michigan Press, 1996.

Ottlinger, Claudia. The Death-Motif in the Poetry of Emily Dickinson and Christina Rossetti. New York: Peter Lang, 1996.

Paglia, Camille. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. London and New Haven: Yale Univ. Press, 1990.

Patterson, Rebecca. The Riddle of Emily Dickinson. Boston: Houghton Mifflin, 1951. Petrino, Elizabeth A. Emily Dickinson and Her Contemporaries: Women's Versein America, 1820-1885. Hanover, NH: Univ. Press of New England, 1998.

---. Emily Dickinson's Imagery. Ed. Margaret Freeman. Amherst: University of Massachusetts Press, 1979.

Petrino, Elizabeth A. Emily Dickinson and Her Contemporaries: Women's Verse in America, 1820-1885 Hanover, NH: UP of New England, 1998.

Phillips, Elizabeth. Emily Dickinson: Personae and Performance. University Park, PA: Pennsylvania State Univ. Press, 1996.

Pickard, John B. Emily Dickinson: An Introduction and Interpretation. New York: Holt, Rinehart, and Winston, 1967.

Pollak, Vivian R. ed. A Historical Guide to Emily Dickinson. New York: Oxford UP, 2004.

--- ed. A Poet's Parents: The Courtship Letters of Emily Norcross and Edward Dickinson. Chapel Hill: University of North Carolina Press, 1988.

---. Dickinson: The Anxiety of Gender Ithaca: Cornell UP, 1984.

Pollitt, Josephine. Emily Dickinson: The Human Background of Her Poetry. New York: Harper, 1930.

Porter, David T. Dickinson: The Modern Idiom. Cambridge, MA: Harvard University Press, 1981.

---. The Art of Emily Dickinson's Early Poetry. Cambridge, MA: Harvard University Press, 1966.

Power, Mary James, Sister. In the Name of the Bee: The Significance of Emily Dickinson. New York: Sheed & Ward, 1943.

Pritchard, William H. Talking Back to Emily Dickinson, and Other Essays. Amherst, MA: Univ. of Massachusetts Press, 1998.

Rich, Adrienne. A Wild Patience Has Taken Me This Far. New York: W.W. Norton, 1981.

Robinson, John. Emily Dickinson: Looking to Canaan. Boston: Faber and Faber, 1986.

Rosenbaum, Stanford P. Concordance to the Poems of Emily Dickinson. Ithaca: Cornell University Press, 1964.

Rupp, Richard H. Critics on Emily Dickinson. University of Miami Press, 1972. Salska, Agnieszka. Walt Whitman and Emily Dickinson: Poetry of the Central Consciousness. Philadelphia: University of Pennsylvania Press, 1985.

Sánchez-Eppler, Karen. Touching Liberty: Abolition, Feminism, and the Politics of the Body.  Berkeley: U of California P, 1993.

Scott, Winfield Townley. Exiles and Fabrications.  Garden City, NY: Doubleday, 1961.   

Sewall, Richard B. The Life of Emily Dickinson. New York: Farrar, Streaus and Giroux, 1974.

---. The Lyman Letters: New Light on Emily Dickinson and Her Family. Amherst: University of Massachusetts Press, 1965.

---, ed. Emily Dickinson: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall, 1963.

Shackford, Martha Hale. Talks on Ten Poets, Wordsworth to Moody. New York, NY: Bookman, 1958.   

Sherwood, William. Circumference and Circumstance: Stages in the Mind and Art of Emily Dickinson. New York: Columbia University Press, 1968.

Shurr, William H, ed., with Anna Dunlap and Emily Grey Shurr. New Poems of Emily Dickinson. Chapel Hill: U of North Carolina P, 1993.

---. The Marriage of Emily Dickinson: A Study of the Fascicles. Lexington: Univ. of Kentucky Press, 1983.Sielke, Sabine. Fashioning the Female Subject: The Intertextual Networking of Dickinson, Moore, and Rich. Ann Arbor, MI: Univ. of Michigan Press, 1997.

Sielke, Sabine. Fashioning the Female Subject: The Intertextual Networking of Dickinson, Moore, and Rich. Ann Arbor, MI: U of Michigan P, 1997.

Small, Judy Jo. Positive as Sound: Emily Dickinson's Rhyme. Athens and London: Univ. of Georgia Press, 1990.

Smith, Martha Nell. Rowing in Eden: Rereading Emily Dickinson. Austin: U of Texas P, 1992.

Smith, Robert McClure. The Seductions of Emily Dickinson. Tuscaloosa: University of Texas Press, 1992.

Sohn, Youngmi. The Challenge of Temporality: The Time Poems of Emily Dickinson. New York: Peter Lang, 2000.

Sprague, Rosemary. Imaginary Gardens: A Study of Five American Poets. Philadelphia: Chilton Book Co., 1969.

St.Armand, Barton Levi. The Soul’s Society: Emily Dickinson and Her Culture. Cambridge: Cambridge UP, 1984.

Stocks, Kenneth. Emily Dickinson and the Modern Consciousness: a Poet of Our Time. New York: St. Martin's Press, 1988.

Stonum, Gary Lee. The Dickinson Sublime. Madison and London: Univ. of Wisconsin Press, 1990.

Taggard, Genevieve. The Life and Mind of Emily Dickinson. New York, London: A. A. Knopf, 1930.

Tate, Allen. Six American Poets from Emily Dickinson to the Present: An Introduction. University of Minnesota Press: Minneapolis, 1972.

Thackery, Donald E. Emily Dickinson's Approach to Poetry. Lincoln: University of Nebraska, 1954.

Thurman, Judith. I Became Alone: Five Women Poets, Sappho, Louse Labe, Ann Bradstreet, Juana Ines De La Cruz, Emily Dickinson. New York: Atheneum, 1975.

Todd, John E. Emily Dickinson's Use of the Persona. Mouton, 1973.

Todd, Mabel Loomis. Poems by Emily Dickinson. Third Series. Boston: Roberts Brothers, 1896.

---, and Millicent Todd Bingham. Bolts of Melody: New Poems of Emily Dickinson.  New York, NY, .  

Tomlinson, Charles, Henry Gifford,and Richard A. Macksey. Marianne Moore: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall, 1969.     

Tripp, Raymond P. , Jr. Duty, Body, and World in the Works of Emily Dickinson: Reorganizing the Estimate. Lewiston, NY: Edwin Melon Press, 2000.

---. The Mysterious Kingdom of Emily Dickinson's Poetry. Denver, DL: Society for New Language Study, 1988.

Uno, Hiroko. Emily Dickinson's Marble Disc: A Poetics of Enunciation and Science. Tokyo: Eihosha, 2002. Contact info. for publisher: Eihosha, 21 Sanai-cho, Ichigaya, Sinjuku-ku, Tokyo, 162-8691 JAPAN; Tel: 81-3-5206-6020, Fax: 81-3-5206-6022.

Unpublished Poems of Emily Dickinson.  Boston, MA, .   

Untermeyer, Louis, ed. Emily Dickinson, 1830-1886. New York: Simon and Schuster, 1971.

Vendler, Helen. Poets Thinking: Pope, Whitman, Dickinson, Yeats. Cambridge, MA: Harvard UP, 2004

Walsh, John Evangelist. This Brief Tragedy: Unraveling the Todd-Dickinson Affair. New York: G. Weidenfeld, 1991.

---. The Hidden Life of Emily Dickinson. New York: Simon and Schuster, 1971.

Ward, Bruce. The Gift of Screws: The Poetic Strategies of Emily Dickinson. Troy, NY: Whitson Publishing, 1994.

Ward, Theodora. The Capsule of the Mind: Chapters in the Mind of Emily Dickinson. Cambridge, MA: The Bellknap Press of Harvard University Press, 1961.

---. Emily Dickinson's Letters to Doctor and Mrs. Josiah Holland.  Cambridge, MA, .   

Wardrop, Daneen. Emily Dickinson's Gothic: Goblin with a Gauge. Iowa City: Univ. of Iowa Press, 1996.

Weisbuch, Robert. Emily Dickinson's Poetry. The University of Chicago Press, 1975.

Wells, Henry Willis. Introduction to Emily Dickinson. Chicago: Hendricks House, 1947.s

Werner, Marta L. Emily Dickinson's Open Folios: Scenes of Reading, Surfaces of Writing. Ann Arbor, MI: Univ. of Michigan Press, 1995.

Whicher, George Frisbie. This Was a Poet: A Critical Biography of Emily Dickinson. New York: Charles Scribner's Sons, 1938.

Wilson, Raymond Jackson. Figures of Speech: American Writers and the Literary Marketplace: From Benjamin Franklin to Emily Dickinson. New York: Knopf, 1989.

Winter, Jeanette. Emily Dickinson's Letters to the World. New York: Farrar, Straus, and Giroux, 2002. Children's picture book.

---, and R. W. B. Lewis. Emily Dickinson Reading.  MA: Addison-Wesley, 1988.

Wolff, Cynthia Griffin. Emily Dickinson. New York: Alfred A. Knopf, 1986.

Wolosky, Shira. Emily Dickinson: A Voice of War New Haven: Yale UP, 1984.

Wylder, Edith. The Last Face: Emily Dickinson's Manuscripts. Albuquerque: Univ. of New Mexico Press, 1971.

Yamakawa, Tamaaki. Whitman to Dickinson: Bunka Shocho o Megutte Tokyo: Yumi, 1981.   

Articles

Aalen, Marie. "Oversettelse og gjendiktning: Om Sigmund Skards arbeid som oversetter og gjendikter." Norsk Litteraer Arbok 22 (1987): 123-130.

Abbott, Collamer M. "Dickinson's 'Safe in their Alabaster Chambers,'" Explicator 60, no.3 (2002 Spring): p. 139.

---. "Dickinson's 'Letter 814'." Explicator 59.2 (Winter 2001): 79-80.

---. "Dickinson's On a Columnar Self." Explicator 59.1 (Fall 2000): 21-22.

---. "Dickinson's 'Four Trees-upon a Solitary-Acre'." Explicator 58.4 (Summer 2000): 198-200.

---. "Dickinson's 'Because I could not stop for death'." Explicator 58.3 (Spring 2000): 140-143.

---. "Dickinson's 'Because I Could Not Stop for Death'." Explicator 57.4 (Summer 1999): 212-213.

Accardo, Annalucia. "Poets with 'Fine Ears', or the 'Responsibility' of the Artist: R. W. Emerson, E. Dickinson, and G. Paley." Emerson at 200. 161-170. Rome, Italy: Aracne, 2004.

Ackmann, Martha. “Mount Holyoke Female Seminary.” An Emily Dickinson Encyclopedia. Ed. Jane Donahue Eberwein. Westport, CT: Greenwood Press, 1998. 199–200.

---. “Biographical Studies of Dickinson.” The Emily Dickinson Handbook. Eds. Gudrun Grabher, Roland Hagenbuchle, and Cristanne Miller. 11-23. Amherst, MA: U of Massachusetts P, 1998

---. "'I'm Glad I Finally Surfaced': A Norcross Descendent Remembers Emily Dickinson." The Emily Dickinson Journal 5.2 (1996): 120-126.

---. "The Matrilineage of Emily Dickinson." Dissertation Abstracts International 49.5 (Nov. 1988): 1141A-1141A.

Adair, Virginia H. "Dickinson's 'Death Is a Dialogue Between'." Explicator 27 (1969).   

---. "Dickinson's 'One Day Is There of the Series'." American Notes and Queries 5 (1966): 35-35.   

Adams, Richard P. "Dickinson Concrete." ESQ: A Journal of the American Renaissance 44 (1966): 31-35.   

---. "Pure Poetry: Emily Dickinson." Tulane Studies in English 7 (1957): 133-152.   

"Addendum to DS 62, p. 18, End of the Niels Kjaer Tribute to Th. H. Johnson." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 65 (1988): 25-26.

Adkins, Carl A. "Emily Dickinson's 'Would You Like Summer? Taste of Our's': A Note on the Composition Date." English Language Notes 7 (1969): 53-55. 

Agrawal, Ishwar N. "Emily Dickinson: A Study of Diction." Literary Criterion 5.3 (1962): 95-100.

Ahrens, Sister Katharine L.,M.M. "The Function of Religious Imagery in the Poetry of Emily Dickinson." Dissertation Abstracts International 34 (1974): 5087A-5087A.   

Alawi, Nabil. "Translating Dickinson's 'There Came a Day at Summer's Full' into Arabic." Emily Dickinson Journal 6.2 (1997): 84-89.

---. "Emily Dickinson and Confessional Poetry." Dissertation Abstracts International 52.1 (July 1991): 161A-161A.

Alexander, Bonnie L. "Reading Emily Dickinson." Massachusetts Studies in English 7-8.4-1 (1981): 1-17.   

Alexander, Meena. "Encountering Emily Dickinson." TriQuarterly 122 (2005): 53-57.

Alexanderson, Gun. “You cannot soldier and abyss with air” - Traces of early relationship to mother in the life and poetry of Emily Dickinson Scandinavian Psychoanalytical Review 26 (2003).
http://www.scandrev.com/back_issues/vol26_nr2/Alexanderson.pdf

Alfrey, Shawn. "The Function of Dickinson at the Present Time." Emily Dickinson Journal 11.1 (2002): 9-20.

---. "Against Calvary: Emily Dickinson and the Sublime." Emily Dickinson Journal 7.2 (1998): 8-64.

---. "The Poetics of Intense Sociability: The Sublime in Emily Dickinson, H. D. and Gertrude Stein." Dissertation Abstracts International 56.3 (Sep. 1995): 927A-927A. Aljure Chalela, Simón. "Memoria de Emily Dickinson en el sesquicentenario de su natalicio." Boletin Cultural y Bibliografico 19.1 (1982): 206-222.   

Allard, Joseph. "Emily Dickinson: The Regulation of Belief." Modern American Poetry. 22-40. London; Totowa, NJ: Vision; Barnes & Noble, 1984.

Allen, Caroline C. "The Homestead in Amherst." Horn Book Magazine 33 (1957): 30-34.   

Allen, Michael. Emily Dickinson as an American Provincial Poet British Association for American Studies, Pamphlet 14, first published 1985.
http://www.baas.ac.uk/resources/pamphlets/pamphdets.asp?id=14

Almeida, Marcio. "A Poesia Ecologica de Cecilia, Henriqueta e Emily Dickinson." Minas Gerais, Suplemento Literario 6 Nov. (1976): 3-3.   

Altieri, Charles. "Dickinson's Dialectic." The Emily Dickinson Journal 5.2 (1996): 66-71.

Alvarez, Lillian. "Dickinson and Plath: Self-Portraits in Letters." 123-29 in Una historia de Servicio/A History of Service: 66to aniversario de la Universidad Interamericana/66th Anniversary of InterAmericanUniversity. Rio Piedras, PR: Inter American UP, 1979.  

Amaral, Ana Luisa Ribiero Barata do. "Dickinson's 'Ample Make This Bed'." Explicator 51.3 (Spring 1993): 163-165.

Amare, Nicole. Finding Dickinson: Linguistic Sexism and Inconsistent Indexing in
Masterplots. Women and Language 29.1, Spring 2006.
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Amsler Rolf, and Margaret H. Freeman. “Emily Dickinson’s Double Language: An Introduction to the Writings of Hans W. Luescher.” In Emily Dickinson at Home. Eds. Gudrun M. Grabher and Martina Antretter. Trier: Wissenschaftlicher Verlag Trier, 2001. 249-266. 

Anderson, Celia Catlett. "Deep Dyed Politics in ED's 'Revolution is the Pod'." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 49 (June 1984): 3-8.

Anderson, Charles R. "Dickinson's 'Reverse Cannot Befall'." Explicator 18 (1960).   

---. “The Trap of Time in Emily Dickinson’s Poetry.” The Journal of English Literary History 22 (1959): 402–24.

---. "The Conscious Self in Emily Dickinson's Poetry." American Literature: A Journal of Literary History, Criticism, and Bibliography 31.3 (Nov. 1959): 290-308.   

---. "The Trap of Time in Emily Dickinson's Poetry." ELH 26.3 (Sep. 1959): 402-424.   

---. "From a Window in Amherst: Emily Dickinson Looks at the American Scene."New England Quarterly: A Historical Review of New England Life and Letters 31.2 (June 1958): 147-171.   

Anderson, Douglas. "Presence and Place in Emily Dickinson's Poetry." New England Quarterly: A Historical Review of New England Life and Letters 57.2 (June 1984): 205-234.

Anderson, John Q. "Emily Dickinson's Butterflies and Tigers." ESQ: A Journal of the American Renaissance 47 (1967): 43-48.   

---. "The Funeral Procession in Emily Dickinson's Poetry." ESQ: A Journal of the American Renaissance 44 (1966): 8-12.   

Anderson, Paul W. "The Metaphysical Mirth of Emily Dickinson." Georgia Review 20 (1966): 72-83.   

Anderson, Peggy. "The Bride of the White Election: A New Look at Biblical Influence on Emily Dickinson." Nineteenth-Century Women Writers of the English-Speaking World. 1-11. Westport, CT: Greenwood, 1986.

---. "ED's Least Favorite Biblical Book?." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 46 (1983): 27-28.   

---. "Dickinson's 'Son of None'." Explicator 41.1 (Fall 1982): 32-33.   

Anderson, Susan M. "'Regard[ing] a Mouse' in Dickinson's Poems and Letters." The Emily Dickinson Journal 2.1 (1993): 84-102.

Anderson, Vincent P. "Emily Dickinson and the Disappearance of God." Christian Scholar's Review 11.1 (1981): 3-17.   

Ando, Midori. "Emily Dickinson's Vision of 'Circumference' and Death from a Japanese Perspective." The Emily Dickinson Journal 5.2 (1996): 221-225.

Andrews, Charles M. "God's Protecting Providence: A Journal of Jonathan Dickinson." Florida Historical Quarterly 21 (1942): 107-126.   

Anikeeva, Tatiana. "Emily Dickinson's Voice in Russia." Emily Dickinson Journal 15.1 (2006): 79-82.

“Another Way to See: Emily Dickinson’s Cognitive Power.” Thoughts, 19–27.Department of English, Chulalangonkorn University, Bangkok, Thailand. (1998).

Anselmo, Sister Peter Marie, R.S.M. "Renunciation in the Poems and Letters of Emily Dickinson." Dissertation Abstracts 26 (1965): 2178-2178.   

Anthony, Mother Mary. "Emily Dickinson's Scriptural Echoes." Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs 2 (1961): 557-561.   

Aracic, Elizabeth. "Poems about Emily Dickinson: a list of poems to and about Emily Dickinson published in the last 100 years." Titanic Operas: A Poets' Corner of Responses to Dickinson's Legacy. Ed. Martha Nell Smith. 1999-present.

Ardanaz, Margarita. "Emily Dickinson's Poetry: On Translating Silence." The Emily Dickinson Journal 5.2 (1996): 255-260.

---. "Emily Dickinson o el juego de la palabra esencial." Atlantis: Revista de la Asociacion Espanola de Estudios Anglo-Norteamericanos 12.1 (June 1990): 115-128.

Armantrout, Rae. "Looking for Trouble." Emily Dickinson Journal 15.2 (2006): 4-5.

Armitage, Shelley. "Emily Dickinson's Crackerbox Humor." Thalia: Studies in Literary Humor 3.1 (1980 Spring-Summer 1980): 11-15.   

Arndt, Murray D. "Emily Dickinson and the Limits of Language." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 57 (1986): 19-27.

Arnold, Helen H. "'From the Garden We Have Not Seen': New Letters of Emily Dickinson." New England Quarterly: A Historical Review of New England Life and Letters 16.3 (Sep. 1943): 363-375.   

Arp, Thomas Roscoe. "Dramatic Poses in the Poetry of Emily Dickinson." Dissertation Abstracts 23 (1962): 2130-2131.   

Asahina, Midori. "'Fascination' Is Absolute of Clime': Reading Dickinson's Correspondence with Higginson as Naturalist." Emily Dickinson Journal 14.2 (2005): 103-119.

---. "Emiri Dikinsun to 'Wakai tokosha e no tegami'." Eigo Seinen/Rising Generation 137.12 (Mar. 1992): 598-602.

Asals, Frederick. "Dickinson's 'Two Butterflies Went Out at Noon'." ESQ: A Journal of the American Renaissance 63 (1971): 29-31.    

Atkinson, Colette J. "What Cannot Be Hoarded or Spent: Dickinson, Crane, and Time." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 59.7 (Jan. 1999): 2497-2497.

Attebery, Brian. "Dickinson, Emerson and the Abstract Concrete." Dickinson Studies: Emily Dickinson (1830-86), US Poet 35 (1979): 17-22.   

Atwood, Judith. "Caring for the Emily Dickinson Garden." Emily Dickinson International Society Bulletin 11.1 (May 1999): 6.

Axelrod, Rise, and Steven Axelrod. "Dickinson's Dickens: 'Tim' and 'Dollie'." Emily Dickinson Journal 11.1 (2002): 21-32.

Axelrod, Steven. "Terror in the Everyday: Emily Dickinson's ('I Years Had Been from Home') (609)." Concerning Poetry 6.1 (1973): 53-56.   

Bacigalupo, Massimo. "Dickinson in italiano." I limoni. 25-34. Marina di Minturno, Italy: Caramanica, 1998.

Backus, Joseph M. "Two 'No-Name' Poems." Names: Journal of the American Name Society 15 (1967): 1-7.   

Baddeley, Laura Seager, and Nadean Bishop. "Perpetual Noon: The Mystic Experience in the Poetry of Emily Dickinson." Studia Mystica 7.1 (Spring 1984): 6-22.

Baker, Dorothy Z. "Aaron Copland's Twelve Poems of Emily Dickinson: A Reading of Dissonance and Harmony." Emily Dickinson Journal 12.1 (2003): 1-24.

---. "Ars Poetica/Ars Domestica: The Self-Reflexive Poetry of Lydia Sigourney and Emily Dickinson." Poetics in the Poem: Critical Essays on American Self-Reflexive Poetry. 69-89. New York, NY: Peter Lang, 1997.

---. "A Russian Translation/Imitation of Emily Dickinson: 'After Great Pain, a Formal Feeling Comes--'." The Emily Dickinson Journal 2.2 (1993): 147-152.

Bakker, J. "Emily Dickinson's Secret." One Hundred Years of English Studies in Dutch Universities. 239-248. Amsterdam: Rodopi, 1987.

Baldi, Sergio. "La Poesia di Emily Dickinson." Studi Americani 2 (1956): 45-66.   

---. "The Poetry of Emily Dickinson (1956)." Sewanee Review 68 (1960): 438-449.

Ball, Kenneth R. "Emily Dickinson and the Beautiful." Southern Humanities Review 7 (1973): 287-294.        

Bang, Mary Jo. "I. E., on Emily & Influence." Emily Dickinson Journal 15.2 (2006): 66-68.

Bannister, Polly. A Tale of Two Houses. Yankee 65 no9 64-9 N 2001
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Banzer, Judith. "'Compound Manner': Emily Dickinson and the Metaphysical Poets." American Literature: A Journal of Literary History, Criticism, and Bibliography 32.4 (Jan. 1961): 417-433.   

Baranczak, Stanislaw. "Emily Dickinson's 'Because I Could Not Stop for Death'-Remarks of a Polish Translator'." Emily Dickinson Journal 6.2 (1997): 121-126.

Barbot, Mary Elizabeth. "Emily Dickinson Parallels." New England Quarterly: A Historical Review of New England Life and Letters 14.4 (Dec. 1941): 689-696.   

Bare, Judith Elizabeth. "A Gospel of Her Own: The Apostolic Secession of Emily Dickinson." Dissertation Abstracts International 54.5 (Nov. 1993): 1799A-1800a.

Barker, Wendy . "Emily Dickinson and poetic strategy" in Martin, Wendy, (ed.) The Cambridge Companion to Emily Dickinson, Cambridge, MA: Cambridge Univ. Press, 2002.

---. "Lunacy of Light: Emily Dickinson and the Female Tradition." Dissertation Abstracts International 42.12 (June 1982): 5119A-5119A.   

Barnes, Daniel R. "Telling It Slant: Emily Dickinson and the Proverb." Wise Words: Essays on the Proverb. 439-465. New York: Garland, 1994.

---. "Telling It Slant: Emily Dickinson and the Proverb." Genre 12 (1979): 219-241.  

Barney, Margaret Higginson, and Frederic Ives Carpenter. "Unpublished Poems of Emily Dickinson." New England Quarterly: A Historical Review of New England Life and Letters 5.2 (Apr. 1932): 217-220.     

Barnstone, Aliki. "Mastering the Master: Emily Dickinson's Appropriation of Crisis Conversion." The Calvinist Roots of the Modern Era. 145-161. Hanover, NH: UP of New England, 1997.

---. "While Rapture Changed Its Dress: The Development of Emily Dickinson's Poetry." Dissertation Abstracts International 57.3 (Sep. 1996): 1133A-1133A.

---. "Houses within Houses: Emily Dickinson and Mary Wilkins Freeman's 'A New England Nun'." The Centennial Review 28.2 (Spring 1984): 129-145.

---. "Women and the Garden: Andrew Marvell, Emilia Lanier, and Emily Dickinson." Women & Literature 2 (1982): 147-167.

Barolini, Helen. "The Italian Side of Emily Dickinson." Virginia Quarterly Review: A National Journal of Literature and Discussion 70.3 (Summer 1994): 461-479.

Barrett, Faith. "Public Selves and Private Spheres: Studies of Emily Dickinson and the Civil War, 1984-2007." Emily Dickinson Journal 16.1 (2007): 92-104.

---. "Addresses to a Divided Nation: Images of War in Emily Dickinson and Walt Whitman." Arizona Quarterly: A Journal of American Literature, Culture, and Theory. 61.4 (Winter 2005): 67-99.

---. "Letters to the World: Emily Dickinson and the Lyric Address." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 62.1 (July 2001): 169-169.

---. "Inclusion and Exclusion: Fictions of Self and Nation in Whitman and Dickinson." The Emily Dickinson Journal 5.2 (1996): 240-246.

Bartsch, F. K. "J. 378: I saw no way - The Heavens were stitched." Emily Dickinson Bulletin 31 (1977): 62-64.   

Bassi, Emma. "Emily Dickinson." Annali Istituto Universitario Orientale, Napoli, Sezione Germanica 3 (1960): 271-282.   

Bauer, Matthias. "The Language of Dogs: Mythos and Logos in Emily Dickinson." Connotations: A Journal for Critical Debate 5.2-3 (1995-1996 1995): 208-227.

Bauerlein, Mark. "Emily Dickinson, Harper's, and Femininity." The Emily Dickinson Journal 5.2 (1996): 72-77.

Bauerly, Donna. "Emily Dickinson's Rhetoric of Temporality." The Emily Dickinson Journal 1.2 (1992): 1-7.

Bawer, Bruce. "The Audacity of Emily Dickinson." The New Criterion 5.5 (Jan. 1987): 7-16.

Baym, Nina. "God, Father, and Lover in Emily Dickinson's Poetry." Puritan Influences in American Literature. 193-209. Urbana: U of Illinois P, 1979.   

Beaman, Darlene Suzette. "'A Thorn-Choked Garden Plot': Women's Place in Emily Dickinson and Christina Rossetti." Dissertation Abstracts International 47.5 (Nov. 1986): 1732A-1732A.

Beasley, Bruce. "Revelation's Limit: Dickinson, Apocalypse, and the Ends of Time." Dissertation Abstracts International 54.11 (May 1994): 4090A-4090A.

Beauchamp, William. "Riffaterre's Semiotics of Poetry with an Illustration in the Poetry of Emily Dickinson." Centrum: Working Papers of the MinnesotaCenter for Advanced Studies in Language 1.1 (Spring 1981): 36-47.   

Beck, Ronald. "Dickinson's 'I Heard a Fly Buzz When I Died'." Explicator 26 (1967).   

Beebe, Ann. "Dickinson's 'Immortal Is an Ample Word'." Explicator 65.1 (Fall 2006): 36-39.

Behnke, Kerstin. "Dickinson's Poetry in Translation: The Example of Paul Celan." The Emily Dickinson Handbook. 408-424. Amherst, MA: U of Massachusetts P, 1998.

Belasco, Susan, and Kenneth Price. "Spiders, the Web, and Dickinson & Whitman." (n.d.).   

---. "Foreground and Apprentices: Dickinson and Whitman." (n.d.).   

---. "Whitman, Dickinson, and the Elegy: Death and Dying During the Civil War." (n.d.).   

Bell, Robyn Margaret. "Emily Dickinson's Bookmaking: A Companion to the Manuscript Volumes." Dissertation Abstracts International 49.12 (June 1989): 3721A-3721A.

---. “Emily Dickinson’s Bookmaking: A Companion to the Manuscript Volumes.” Diss. University of California at Santa Barbara, 1988.

Benfey, Christopher. "Emily Dickinson and the American South," in Martin, Wendy, (ed.) The Cambridge Companion to Emily Dickinson, Cambridge, MA: Cambridge Univ. Press, 2002.

---. "Emily Dickinson's Secret Lives," New York Review of Books 49, no. 1 (2002 Jan 17): p. 37-40.

---. "'The Wife of Eli Whitney': Jarrell and Dickinson." Under Criticism: Essays for William H. Pritchard. 266-279. Athens, OH: Ohio UP, 1998.

---. "Alcohol and Pearl: Dickinson's Imprint on American Poetry." Language as Object: Emily Dickinson and Contemporary Art. 43-50. Amherst, MA: Mead Art Museum, Amherst College, in association with U of Massachusetts P, 1997.

---. "Emily Dickinson and the Problem of Others." Dissertation Abstracts International 44.6 (Dec. 1983): 1789A-1790a.

Bennett, Paula Bernat. "'The Negro Never Knew': Emily Dickinson and Racial Typology in the Nineteenth Century." Legacy: A Journal of American Women Writers 19.1 (2002): 53-61.

---. "Emily Dickinson and her American Women poet peers," in Martin, Wendy, (ed.) The Cambridge Companion to Emily Dickinson, Cambridge, MA: Cambridge Univ. Press, 2002.

---. "'Pomegranate-Flowers': The Phantasmic Productions of Late-Nineteenth-Century Anglo-American Women Poets." Solitary Pleasures: The Historical, Literary, and Artistic Discourses of Autoeroticism. 189-213. New York: Routledge, 1995.

---. "'By a Mouth That Cannot Speak': Spectral Presence in Emily Dickinson's Letters." The Emily Dickinson Journal 1.2 (1992): 76-99.

---. "'The Orient is in the West': Emily Dickinson's Reading of Antony and Cleopatra." Women's Revisions of Shakespeare. Ed. Marianne Novy, pp. 108-122. Urbana and Chicago: Univ. of Illinois Press, 1990.

---. "'The Pea That Duty Locks': Lesbian and Feminist-Heterosexual Readings of Emily Dickinson's Poetry." Lesbian Texts and Contexts: Radical Previsions. Ed. Karla Jay and Joanne Glasgow. New York and London: New York Univ. Press, 1990.

---. "The Pea That Duty Locks: Lesbian and Feminist-Heterosexual Readings of Emily Dickinson's Poetry." Lesbian Texts and Contexts: Radical Revisions. 104-125. New York: New York UP, 1990.

---. "'The Orient Is in the West': Emily Dickinson's Reading of Anthony and Cleopatra." Women's Re-Visions of Shakespeare: On the Responses of Dickinson, Woolf, Rich, H. D., George Eliot, and Others. 108-122. Urbana: U of Illinois P, 1990.

---. "ED and the Value of Isolation." Dickinson Studies: Emily Dickinson (1830-86), US Poet 36 (1979): 40-49.   

--- . "The Language of Love: Emily Dickinson's Homoerotic Poetry." Gai Saber I, no. I (1977): 13-17.

Benoit, Raymond. "Dickinson's 'I Died for Beauty' and Shakespeare's 'The Phoenix and the Turtle'." ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 19.4 (Fall 2006): 31-33.

Benvenuto, Richard. "Words within Words: Dickinson's Use of the Dictionary." ESQ: A Journal of the American Renaissance 29.1 [110] (1983): 46-55.   

Beppu, Keiko. "Dickinson no Nokoshita Mono." Eigo Seinen 132 (1986): 172-173.

Bergmann, Harriet F. "'A Piercing Virtue': Emily Dickinson in Margaret Drabble's The Waterfall." MFS: Modern Fiction Studies 36.2 (Summer 1990): 181-193.

Berkove, Lawrence I. "'A Slash of Blue!': An Unrecognized Emily Dickinson War Poem." Emily Dickinson Journal 10.1 (2001): 1-8.

Benczes, Réka and Szilvia Csábi, eds. “From metaphor to iconicity in a poetic text.” In The Metaphors of Sixty: Papers Presented on the Occasion of the 60th Birthday of Zoltán Kövecses, 127-135. Budapest: Eötvös Loránd University. [My life had stood]. (2006).

Berner, Robert L. "Dickinson's 'These Are the Days when Birds Come Back'." Explicator 30 (1972).   

Bernhard, Mary Elizabeth. "Alfred Habeggaer: An Original Dickinsonian." Emily Dickinson International Society Bulletin 15.1 (May 2003): 1.

---. "Lost and Found: Emily Dickinson's Unknown Dagueurreotypist." New England Quarterly: A Historical Review of New England Life and Letters 72.4 (Dec. 1999): 594-601.

---. "Mary Landis Hampson: Guardian of the Dickinson Universe." Emily Dickinson Journal 8.1 (1999): 24-35.

---. "Portrait of a Family: Emily Dickinson's Norcross Connection." New England Quarterly: A Historical Review of New England Life and Letters 60.3 (Sep. 1987): 363-381.

---. "A Response to 'Eyes Be Blind, Heart Be Still'."New England Quarterly: A Historical Review of New England Life and Letters 55.1 (Mar. 1982): 112-114.   

Bernikow, Louise. "Comment on Joanne Feit Diehl's ''Come Slowly-Eden': An Exploration of Women Poets and Their Muse'." Signs 4.1 (Fall 1978): 191-195.   

Bianchi, Martha Dickinson, George Monteiro,and Barton Levi St. Armand. "My Surviving Aunt: Lavinia Dickinson." Prairie Schooner 51 (1977-1978 1977): 325-344.   

---. "Selections from the Unpublished Letters of Emily Dickinson to Her Brother's Family." Atlantic Monthly XV (1915):35-42.

---. "Life Before Last: Reminiscences of a Country Girl," eds. Barton St. Armand and Martha Nell Smith.

Bickman, Martin. "'The Snow that never drifts': Dickinson's Slant of Language." College Literature 10.2 (Spring 1983): 139-146.   

---. "Kora in Heaven: Love and Death in the Poetry of Emily Dickinson." Dickinson Studies: Emily Dickinson (1830-86), US Poet 32 (1977): 79-104.   

---. "Voyages of the Mind's Return: A Jungian Study of Poe, Emerson, Whitman, and Dickinson." Dissertation Abstracts International 36 (1975): 266A-266A.   

Biemiller, Lawrence. "Shimmering with Stories." Chronicle of Higher Education 50.32 (16 Apr. 2004): A48-A48.

Bier, Jesse. "Dickinson's 'A Visitor in Marl'." Explicator 48.3 (Spring 1990): 191-193.

Billson, Marcus K. "Drama of Doubt, Dialectics of Pain (ED's 'Me prove it now': A Scene in Her Poetry)." Dickinson Studies: Emily Dickinson (1830-86), US Poet 30 (1977): 83-94.   

Bingham, Millicent Todd. "Prose Fragments of Emily Dickinson." New England Quarterly: A Historical Review of New England Life and Letters 28.3 (Sep. 1955): 291-318.   

---. "Emily Dickinson's Handwriting-A Master Key." New England Quarterly: A Historical Review of New England Life and Letters 22.2 (June 1949): 229-234.   

---. "Poems of Emily Dickinson: Hitherto Published Only in Part." New England Quarterly: A Historical Review of New England Life and Letters 20.1 (Mar. 1947): 3-50.   

Bird, Michael. "Dickinson's 'At Half Past Three, a Single Bird'." Explicator 62.4 (Summer 2004): 204-206.

Birden, Lorene M. "Dickinson's 'I Send Two Sunsets'." Explicator 54.3 (Spring 1996): 150-154.

---. "Dickinson's 'Dare You See a Soul at the White Heat'." Explicator 54.2 (Winter 1996): 87-90.

Birdsall, Virginia Ogden. "Emily Dickinson's Intruder in the Soul." American Literature: A Journal of Literary History, Criticism, and Bibliography 37 (1965): 54-64.   

Birss, John Howard. "Emily Dickinson: A Bibliographical Note." Notes and Queries 164 (1933): 421-421.   

Bishop, Elizabeth. "Unseemly Deductions." Review of The Riddle of Emily Dickinson by Rebecca Petterson. New Republic 127 (August 18, 1952): 20.

Bishop, Nadean. "Queen of Calvary: Spirituality in Emily Dickinson." University of Dayton Review 19.1 (1987-1988 Winter 1987): 49-60.

---. "Renunciation in the Bridal Poems of Emily Dickinson." Paper presented at the National Women's Studies Association Conference, Bloomington, Indiana, May 16-20, 1980.

Biss, Eula. "The Price of Poetry." Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs 42.1 (Spring 2001): 9-11.

Bjørkly, Arnstein. "Fra tankestrek til tankestrek." Vagant 3-4 (1997): 88-95.

Blackmur, R.P. "Emily Dickinson: Notes on Prejudice and Fact." The Recognition of Emily Dickinson. Ed. Caesar R. Blake and Carlton F. Wells, pp.201-223. Ann Arbor: Univ. Of Michigan Press, 1964.

---. "Emily Dickinson's Notation." Kenyon Review 18 (1956): 224-237.   

---. "Emily Dickinson: Notes on Prejudice and Fact." Southern Review 3 (1937): 323-347.   

Blackwood, Sarah. "'The Inner Brand': Emily Dickinson, Portraiture, and the Narrative of Liberal Interiority." Emily Dickinson Journal 14.2 (2005): 48-59.

Blaise, Marie. "Le Poète et la solitude: Etude d'un cliché (Dickinson, Mallarmé, Rilke)." Solitudes: Ecriture et représentation. 99-111. Grenoble: ELLUG, 1995.

Blake, Caesar R . "Emily Dickinson's Notation." In Emily Dickinson: A Collection of Critical Essays. Ed. Richard B. Sewall,pp. 78-87. Englewood Cliffs, N.J.: Prentice-Hall, 1963.

Blatt, Teresa. "Dickinson in Collage." Emily Dickinson International Society Bulletin 17.2 (Nov. 2005): 10-12.

---. "Emily Apron Is 'At Home, and Glad'." Emily Dickinson International Society Bulletin 14.1 (May 2002): 11.

Bloom, Margaret. "Emily Dickinson and Doctor Holland." University of California Chronicle 35 (1933): 96-103.   

Blue, Dan. "Dickinson Abroad: The Celan Translations." Acts: A Journal of New Writing 8-9 (1988): 144-149.

Blumenthal, Anna Sabol. "The New England Oblique Style: The Poetry of Ralph Waldo Emerson, Emily Dickinson, and Edwin Arlington Robinson." Dissertation Abstracts International 47.8 (Feb. 1987): 3036A-3036A.

Bly, Robert. "Dickinson Out Loud." The Single Hound: The Poetry and Image of Emily Dickinson 1.1 (May 1989): 21-23.

Blythe, Randy. "Dickinson's Idiom: The Signature Complex." Dissertation Abstracts International 56.10 (Apr. 1996): 3954A-3954A.

Bode, Rita. "Dickinson's 'Don't Put Up My Thread & Needle'." Explicator 52.3 (Spring 1994): 161-165.

Bodie, Edward H., Jr. "Dickinson's 'The Wind Tapped Like a Tired Man'." Explicator 46.1 (Fall 1987): 25-26.

Bogan, Louise. “Emily Dickinson.” A Poet’s Alphabet: Reflections on the Literary Arts and Vocation. Ed. Robert Phelps and Ruth Limmer. New York: McGraw-Hill, 1970. 88–103.

Bogus, S. Diane. "Not So Disparate: An Investigation of the Influence of E.B.B. on the Work of ED." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 49 (June 1984): 38-46.

Boisseau, Michelle. The Industry of Emily Dickinson. Kenyon Review 23, no. 1 (2001 Winter): p. 178-87.

Bolin, Donald W. "Dickinson's 'A Clock Stopped'." Explicator 22 (1963).   

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Bollobás, Enikó. "Woman and Poet? Conflicts in the Poetry of Emily Dickinson, Sylvia Plath and Anne Sexton." The Origins and Originality of American Culture. 375-383. Budapest: Akadémiai Kiadó, 1984.

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Culjak, Toni Ann. "Dickinson and Kierkegaard: Arrival at Despair." American Transcendental Quarterly 1.2 (June 1987): 145-155.

Cunningham, J. V. "Sorting Out: The Case of Dickinson." Southern Review 5 (1969): 436-456.   

Curtis, Jared R. "Edward Taylor and Emily Dickinson: Voices and Visions." SusquehannaUniversity Studies 7 (1964): 159-167.   

Czerny, Dennis Louis. "'My Classics Vail Their Faces': Uncovering the Latin and Greek Elements in Emily Dickinson's Poetry." Dissertation Abstracts International 54.6 (Dec. 1993): 2148A-2148A.

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Dahl, Curtis. "Dickinson's 'There's a Certain Slant of Light'." Explicator 45.3 (Spring 1987): 37-38.

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Dahlen, Beverly. "A Reading: Emily Dickinson: Powers of Horror." Ironwood 28 (1986): 9-37.

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---. "Another Dickinson Poem Published in Her Lifetime." American Literature: A Journal of Literary History, Criticism, and Bibliography 54.3 (Oct. 1982): 434-437.  

Daniels, Edgar F. "Dickinson's 'As by the dead we love to sit'." Explicator 35.2 (1976): 10-11.     

Danly, Susan, and David Porter. "Emily Dickinson's Impact on Contemporary Art." Language as Object: Emily Dickinson and Contemporary Art. 67-95. Amherst, MA: Mead Art Museum, Amherst College, in association with U of Massachusetts P, 1997.

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D'Avanzo, Mario L., and Edgar P. Stocker. "Two Explications of 'Loaded Gun': First Essay: A Source in Wyatt; Essay No. Two: We Roam in Soverign Woods." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 42 (June 1982): 40-50.   

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---. "Emily Dickinson's 'Dying Eye'." Renascence: Essays on Value in Literature 19 (1967): 110-111.   

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David, Honoré, and Rob McClure Smith. "Dickinson's 'The Poets Light but Lamps'." Explicator 50.1 (Fall 1991): 21-22.

Davidson, Frank. "'This Consciousness': Emerson and Dickinson." ESQ: A Journal of the American Renaissance 44 (1966): 2-7.   

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---. "Some Emily Dickinson Letters." Indiana Quarterly for Bookmen 1 (1945): 113-118.  

Davidson, James. "Emily Dickinson and Isaac Watts." Boston Public Library Quarterly 6 (1954): 141-149.     

Davidson, Tami. "Meta-Illness: Writing beyond Cultural Metaphors of Illness in Dickinson and Fuller." Literature and Psychology. 73-78. Lisbon: Inst. Superior de Psicologia Aplicada, 1995.

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Davis, Ellen. “'Syllable from Sound': Martha Collins and Emily Dickinson.” Emily Dickinson International Society Bulletin 10, no. 2 (1998 Nov-Dec): p. 8-9.

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Davis, Sophia M. "'Heavenly Father' - take to thee: An Explication of Poem J. 1461." Dickinson Studies: Emily Dickinson (1830-86), US Poet 33 (1978): 40-44.   

Davis, Thomas M. "Emily Dickinson and the Right of Way to Tripoli." Artful Thunder:Versions of the Romantic Tradition in American Literature in Honor of Howard P. Vincent. 209-219. Kent: Kent State UP, 1975.   

Davis, William F., Jr. "The Art of Peace: The Moral Vision of Emily Dickinson." Dissertation Abstracts: Section A. Humanities and Social Science 29 (1968): 896A-896A.   

Davoust, André. "Traductologie et poésie: Emily Dickinson entre la dérive des règles et les règles de la dérive." Poésie en traduction. 111. Paris, France: Institut d'Etudes Anglophones, Université Paris VII-Denis Diderot, 1994.

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Decker, William Merrill. "'A Letter Always Seemed to Me Like Immortality': The Correspondence of Emily Dickinson." ESQ: A Journal of the American Renaissance 39.2-3 (1993 2nd Quarter-3rd Quarter 1993): 77-105.

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DeJong, Mary C. "Structure in the Poetry of Ralph Waldo Emerson, Emily Dickinson and Robert Frost." Dissertation Abstracts: Section A. Humanities and Social Science 29 (1968): 867A-867A.   

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DeMott, Benjamin. "Jewish Writers in America." Commentary 31 (1961): 127-134.   

Denis, Philippe. "Sur Emily Dickinson." Poesie 40.1 (1987): 123-127.

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---. "Emerson, Dickinson, and the Abyss." ELH 44.4 (Winter 1977): 683-700.   

Dietz, Mary Katherine. "The American Cult and Cultivation of Success: Dickinson to James." Dissertation Abstracts International 52.3 (Sep. 1991): 915A-915A.
                                             
Diggory, Terence. "Armored Women, Naked Men: Dickinson, Whitman, and Their Successors." Shakespeare's Sisters: Feminist Essays on Women Poets. 135-150. Bloomington: Indiana UP, 1979.   

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Ditsky, John. "The Two Emilies and a Feathered Hope: Shared Imagery in Dickinson and Bronte." Kyushu American Literature 19 (1978): 28-31.   

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Ditta, Joseph M. "The Jewel and the Amethyst: Poet and Persona in Emily Dickinson." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 42 (June 1982): 30-37.   

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---. "'Oh, Susie, it is dangerous': Emily Dickinson and the Archetype." Feminist Critics Read Emily Dickinson. 80-97. Bloomington: Indiana UP, 1983.   

Donahue, Francis. "Escritoras clásicas norteamericanas." Atenea: Revista de Ciencia, Arte y Literatura de la Universidad de Concepcion 463-464 (1991): 121-138.

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Donohue, Gail. "Lyric Voice: 'I cannot live with you'." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 46 (1983): 3-8.   

Doraiswamy, T.K. "On the Poetry of Emily Dickinson." Literary Studies:Homage to Dr. A. Sivaramasubramonia Aiyer. 182-194. Trivandrum: St. Joseph's Press for the Dr. A. Sivaramasubramonia Aiyer Memorial Committee, 1973.   

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Doriani, Beth Maclay. "Power through Prophecy: Emily Dickinson and the Scriptural Prophetic Tradition." Puritanism in America: The Seventeenth through the Nineteenth Centuries. 225-251. Lewiston, NY: Mellen, 1993.

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Dorinson, Zahava Karl. "'I Taste a Liquor Never Brewed': A Problem in Editing." American Literature: A Journal of Literary History, Criticism, and Bibliography 35 (1963): 363-365.   

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Downey, Charlotte. "How the Mathematical Concepts Portrayed in the Language Patterns of Walt Whitman's and ED's Poems Relate to Meaning." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 72 (1989): 17-32.

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Doyle, Connie M. "Emily Dickinson's 'The wind drew off'." English Language Notes 12 (1975): 182-184.   

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Dressman, Michael R. "Empress of Calvary: Mystical Marriage in the Poems of Emily Dickinson." South Atlantic Bulletin 42.1 (Jan. 1977): 39-43.   

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Duncan, Jeffrey L. "Joining Together/Putting Asunder." The Missouri Review 4.2 (1980-1981 Winter 1980): 111-129.   

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---. "'Is Immortality True?': Salvaging Faith in an Age of Upheavals." A Historical Guide to Emily Dickinson. 67-102. Oxford, England: Oxford UP, 2004.

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---. "Dickinson's Local, Global, and Cosmic Perspectives." The Emily Dickinson Handbook. 27-43. Amherst, MA: U of Massachusetts P, 1998.

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---. "ED and the Bumble Bee's Religion." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 77 (1991): 23-33.

---. "Introducing a Religious Poet: The 1890 Poems of Emily Dickinson." Christianity and Literature 39.3 (Spring 1990): 241-260.

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---. "Emily Dickinson and Edwards Amasa Park: 'The Loveliest Sermon'." American Transcendental Quarterly 1.4 (Dec. 1987): 311-322.

---. "Immortality and the Shape of a Poet's Career." University of Dayton Review 19.1 (1987-1988 Winter 1987): 5-17.

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---. "Dickinson's 'I had some things that I called mine'." Explicator 42.3 (Spring 1984): 31-33.

---. "Doing Without: Dickinson as Yankee Woman Poet." Critical Essays on Emily Dickinson. 205-223. Boston: Hall, 1984.

---. "Dickinson's Nobody and Ulysses' Noman: 'Then there's a pair of us?'." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 46 (1983): 9-14. 

Eby, Cecil D. "'I Taste a Liquor Never Brewed': A Variant Reading." American Literature: A Journal of Literary History, Criticism, and Bibliography 36 (1965): 516-518.   

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Elfenbein, Anna Shannon. "Unsexing Language: Pronominal Protest in Emily Dickinson's 'Lay This Laurel'." Engendering the Word: Feminist Essays in Psychosexual Poetics. 208-223. Urbana: U of Illinois P, 1989.

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Ford, Thomas W. "Thoreau's Cosmic Mosquito and Dickinson's Terrestrial Fly." New England Quarterly: A Historical Review of New England Life and Letters 48.4 (Dec. 1975): 487-504.   

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Frank, Josef. "Dickinson's To Undertake Is to Achieve." Explicator 6 (1948): 51-51.   

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Fraser, Kathleen. "Line. On the Line. Lining Up. Lined With. Between the Lines. Bottom Line." The Line in Postmodern Poetry. 152-174. Urbana: U of Illinois P, 1988.

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Freedman, Diane P. "Emily Dickinson: 'Such a little figure ... visions vast and small'." University of Dayton Review 19.1 (1987-1988 Winter 1987): 61-68.

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—. “Making Sense of (Non)Sense: Why Literature Counts.” In In Search of (Non)Sense. Eds. Elżbieta Chrzanowska-Kluczewska and Grzegorz Szpila. Newcastle upon Tyne: Cambridge Scholars Publishing, 2009. [My cocoon tightens]

—. “Reading Readers Reading a Poem: From Conceptual to Cognitive Integration.” Cognitive Semiotics 2 (2008): 102-128. [I heard a fly buzz] 

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—. “Another Way to See: Emily Dickinson’s Cognitive Power.” Thoughts. Department of English, Chulalangonkorn University, Bangkok, Thailand, 1998. 19–27. 

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---. "'Who Goes to Dine': Judy Chicago's Dinner Party." Emily Dickinson International Society Bulletin 10.2 (Nov. 1998): 6.

---. "A Certain Slant of Light: The Art of Mary Frank." Emily Dickinson International Society Bulletin 10.1 (May 1998): 4.

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Gardner, Pat. "My Size Felt Small." University of Mississippi Studies in English 9 (1991): 110-113.

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---. "'I Will Sone Be Home': Margaret Maher, Emily Dickinson, and an Irish Trunk Full of Poems." Ireland's Great Hunger: Silence, Memory, and Commemoration. 257-268. Lanham, MD: UP of America, 2002.

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--- Reveries of a Writer: On Emily Dickinson and the Creative Process. Online. 10 December 2002. Creative/scholarly book and online project in progress.

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--- "The Life and Poetry of Emily Dickinson." Barnes & NobleUniversity. Online Continuing Education Course. Introduces Dickinson to a wider audience of general readers.

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Laitman, Lori. Art song compositions from Dickinson poems:"Wider than the Sky" and "Good Morning Midnight." Both premiered at the EDIS "Dickinson in Song" meeting in Amherst, July, 2002. Second CD, which contains 7 Dickinson settings, is due out from Albany Recordsin March, 2003.

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---. "Animal/Insectual/Lesbian Sex: Dickinson's Queer Version of the Birds and the Bees." Emily Dickinson Journal 9.2 (2000): 42-54

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---. "Emily Dickinson Challenges American Myths: The Ritual Power of Words-to Re-Create, Kill, and Make Sex." The Emily Dickinson Journal 4.2 (1995): 62-86.

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---. “Emily Dickinson: 'She Don't Go Nowhere'; Or, A Nineteenth-Century Recluse's Guide to Cross-Culturalism.” Women's Writing 8, no. 3(2001): p. 441-55.

---. “Autobiographic Self-Construction in the Letters of Emily Dickinson.” Diss. University of Wollongong, 1999.

---. "Woman of Letters: Narrative Episodes in the Letters of Emily Dickinson." Emily Dickinson Journal 8.1 (1999): 73-96.

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Lindberg-Seyersted, Brita. "Gender and Women's Literature: Thoughts on a Relationship Illustrated by the Cases of Emily Dickinson and Sylvia Plath." American Studies in Scandinavia (NorwegianUniversity Press) 18.1 (1986): 1-14.

---. "Further Notes on a Poem by Emily Dickinson." Notes and Queries 15 (1968): 179-180.   

---. "Emily Dickinson's Punctuation." Studia Neophilologica: A Journal of Germanic and Romance Languages and Literature 37 (1965): 327-359.   

---. "The Theme of Death in Emily Dickinson's Poetry." Studia Neophilologica: A Journal of Germanic and Romance Languages and Literature 34 (1962): 269-281.   

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---. "Poes 'Tamerlane,' Shakespeare, Keats und Emily Dickinson." Literaturwissenschaftliches Jahrbuch im Auftrage der Gorres-Gesellschaft 29 (1988): 323-325.

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---. "The Incidental Dickinson." New England Quarterly: A Historical Review of New England Life and Letters 72.3 (Sep. 1999): 456-472.

---. “Prospects for the Study of Emily Dickinson.” Resources for American Literary Study 25.1 (1999): 1–25

---. "What Is a Fascicle?." Harvard Library Bulletin 10.1 (Spring 1999): 23-42.

---. "Corollas of Autumn: Reading Franklin's Dickinson." Emily Dickinson Journal 8.2 (1999): 55-71.

---. "'Question of Monuments': Emerson, Dickinson, and American Renaissance Portraiture." Modern Language Quarterly: A Journal of Literary History 59.4 (Dec. 1998): 445-469.

---. “Etruscan Invitations: Dickinson and the Anxiety of the Aesthetic in Feminist Criticism.” The Emily Dickinson Journal 5.1 (1996): 1–26.

---. "Dickinson Identified: Newer Criticism and Feminist Classrooms." Approaches to Teaching Dickinson’s Poetry. 170-177. New York: Mod. Lang. Assn. of Amer., 1989.

---. "The Compound Frame: Scenes of Emily Dickinson's Reading." Dissertation Abstracts International 48.10 (Apr. 1988): 2628A-2628A.

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---. "'Whose but Her Shy-Immortal Face': The Poet's Visage in the Popular Imagination." Language as Object: Emily Dickinson and Contemporary Art. 35-41. Amherst, MA: Mead Art Museum, Amherst College, in association with U of Massachusetts P, 1997.

---. "'Was Mr. Dudley Dear?': Emily Dickinson and John Langdon Dudley." Massachusetts Review 26 (1985): 360-372.

Lopez Narvaez, Carlos. "Recuerdo de Emily Dickinson." Nivel 47 (1966): 9-9.   

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Lowrey, Robert E. "'Boanerges': An Encomium for Edward Dickinson." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 26 (1970): 54-58.   

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Luisi, David. "Some Aspects of Emily Dickinson's Food and Liquor Poems." English Studies: A Journal of English Language and Literature 52 (1971): 32-40.   

Lungu, Lelia. "Procesele de abstractizare si schematizare, sursa de sporire a informatiei la nivelul limbajului poetic." Analele Universitatii, Bucuresti, Limbi Germanice 22 (1973): 35-42.   

---. "Emily Dickinson, 'The Bee': Incercare de analiza structurala." Analele Universitatii, Bucuresti, Limbi Germanice 21 (1972): 115-123.   

---. "Emily Dickinson: The Bee. Incercare de analiza structurala." Analele Universitatii, Bucuresti, Seria stiinte sociale, Filogie 21 (1972): 115-123.   

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---. "Revising the Script: Emily Dickinson's Manuscripts." American Literature: A Journal of Literary History, Criticism, and Bibliography 70.4 (Dec. 1998): 705-737.

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---. "Emily Dickinson's Business." Literature and Belief 10 (1990): 24-42.

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---. "Still More on ED: Bibliographic Fugitive References." Dickinson Studies: Emily Dickinson (1830-86), US Poet 35 (1979): 52-54.   

---. "Love & Fame or What's a Heaven for?: Emily Dickinson's Teleology." New England Quarterly: A Historical Review of New England Life and Letters 51.1 (Mar. 1978): 105-113.   

---. "Love and Fame or What's A Heaven For? Emily Dickinson's Teleology." New England Quarterly: A Historical Review of New England Life and Letters 51.1 (1978): 105-113.   

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---. "Dickinson's 'As by the dead we love to sit'." Explicator 36.3 (1978): 32-33.       

---. "Dickinson's 'As watchers hang upon the east'." Explicator 35.2 (1976): 4-5.   

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Pomarè, Carla. "A 'Silver Reticence': Emily Dickinson's Rhetoric of Silence." Semantics of Silences in Linguistics and Literature. 211-222. Heidelberg: Winter, 1996.

Pommer, Henry F. "Emily Dickinson's 'I Dreaded That First Robin, So'." RE: Artes Liberales 6.1 (1972): 29-47.   

Porter, David. "Searching for Dickinson's Themes." The Emily Dickinson Handbook. 183-196. Amherst, MA: U of Massachusetts P, 1998.

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---. "The Crucial Experience in Emily Dickinson's Poetry." ESQ: A Journal of the American Renaissance 77 (1974): 280-290.   

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---T. "Emily Dickinson: The Formative Years." Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs 6 (1965): 559-569.   

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Porumbacu, Veronica. "Epistolele unei poete: Emily Dickinson." Romania Literara: Saptaminal de Literatura si Arta Editat de Uniunea Scriitorilor din Republica Socialista 6 Dec (1973): 28-29.   

---. "Emily Dickinson." Gazeta Literara 1968 Jan. 11 (1968): 8-8.   

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Pratt, Priscilla Young. "'Then Sunrise Kissed My Chrysalis': Figurations of the Erotic in the Poetry of Emily Dickinson." Dissertation Abstracts International 52.2 (Aug. 1991): 540A.

Price, Kenneth M. and Martha Nell Smith (codirectors) “Whitman, Dickinson, and Teaching American Literature with New Technologies.”

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Priddy, Anna Lynn. "Girls Who Would Be Gods: The Poetry of Emily Dickinson, Elizabeth Bishop, and Sylvia Plath." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 62.6 (Dec. 2001): 2118-2118.

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Privratsky, Kenneth L. "Irony in Emily Dickinson's 'Because I could not stop for Death'." Concerning Poetry 11.2 (1978): 25-30.   

Purdy, Dwight H. "Dickinson's 'What soft, cherubic creatures'." Explicator 33 (1975).   

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Rabe, Olive H. "Emily Dickinson as Mystic." Colorado Quarterly 14 (1966): 280-288.   

Rachal, John. "Probing the Final Mystery in Dickinson's 'I heard a fly buzz' and 'I've seen a dying eye'." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 39 (1981): 44-46.   

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Rafferty, Charles. "The Use of Slant Rhyme." Hellas: A Journal of Poetry and the Humanities 6.2 (1995 Fall-Winter 1995): 114-120.

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Rainwater, Mary Janice. "Emily Dickinson and Six Contemporary Writers: Her Poetry in Relation to Her Reading." Dissertation Abstracts International 36 (1976): 4479A-4479A.   

Ramirez, Anne West. "Harriet Beecher Stowe's Christian Feminism in The Minister's Wooing: A Precedent for Emily Dickinson." Christianity and Literature 51.3 (Spring 2002): 407-424.

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Randall, Julia. "Dickinson with a Difference: The Poetry of Josephine Miles." Hollins Critic 17.3 (1980): 1-12.   

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Ransom, John Crowe. "Emily Dickinson: A Poet Restored." Perspectives USA 15 (1956): 5-20.     

Ranta, Jerrald. "Dickinson's 'Alone and in a Circumstance' and the Theft of Intellectual Property." ESQ: A Journal of the American Renaissance 41.1 (1st Quarter 1995): 65-95.

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---. "Dickinson's 'Farther in Summer than the Birds'." Explicator 12 (1954).   

Rashid, Frank D. "The Role of Dickinson's Biography in the Classroom." Approaches to Teaching Dickinson’s Poetry. 134-141. New York: Mod. Lang. Assn. of Amer., 1989.

---. "Higginson the Entomologist." New England Quarterly: A Historical Review of New England Life and Letters 56.4 (Dec. 1983): 577-582.

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Reiff, Margo, Gloria Biamonte,and Elizabeth Lambert. "Legacy's Checklist of ED Material for 1987." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 66 (1988): 39-39.

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Resetarits, C. R.. The Genomic Tropes of Dickinson's 'The Veins of Other Flowers'. The Kenyon Review, 28.1 (2006), 79 (6 pages)

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Reynolds, Virginia Dickinson. “Clad in Victory.” Guests in Eden: Emily Dickinson, Martha Dickinson Bianchi. New York: Zeta Chapter, Phi Delta Gamma, 1946. 12–15.

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---. "Dickinson's 'Death is a Dialogue between'." Emily Dickinson Bulletin 23 (1973): 171-171.   

---. "Success in Circuit: The Poetic Craft of Emily Dickinson." Dissertation Abstracts International 31 (1971): 6069A-6069A.   

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Rieke, Susan Ann. "'Grasped by God': Emily Dickinson's Relationship with the Diety." Dissertation Abstracts International 55.4 (Oct. 1994): 966A-966A.

---. "'I'm Kneeling-Still-': A Study of Emily Dickinson's Siege on the Sacred." American Benedictine Review 44.3 (Sep. 1993): 258-279.

Riese, Teut Andreas. "Emily Dickinson und der Sprachgeist amerikanischer Lyrik." Die Neueren Sprachen (1963): 145-159.   

Riffaterre, Michael. "Fear of Theory." Romanic Review 93.1-2 (Jan. 2002): 185-199.

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Ripley, Richard J. "Dickinson's 'So Much of Heaven Has Gone from Earth'." Explicator 42.1 (Fall 1983): 27-30.   

Rizzo, Patricia Thompson. "Emily Dickinson: Feminine Masculinity in Mediterranean Garb." America and the Mediterranean. 413-422. Turin, Italy: Otto, 2003.

---. "The Elegaic Modes of Emily Dickinson." Emily Dickinson Journal 11.1 (2002): 104-117.

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Roberts, David A. "Emily Dickinson's 'Woe of Ecstacy'." Colorado Quarterly 23 (1975): 505-517.   

Robinson, David. "Text and Meaning in ED's 'A Pit - but Heaven over it - ' (J. 1712)." Dickinson Studies: Emily Dickinson (1830-86), US Poet 33 (1978): 45-52.   

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Rodier, Katharine. "'Astra Castra': Emily Dickinson, Thomas Wentworth Higginson, and Harriet Prescott Spofford." Separate Spheres No More: Gender Convergence in American Literature, 1830-1930. 50-72. Tuscaloosa, AL: U of Alabama P, 2000.

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Rooke, Constance. "'The first Day's Night had come - ': An Explication of J.410." Emily Dickinson Bulletin 24 (1973): 221-223.   

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Rosenfeld, Alvin. "A. R. Ammons: The Poems of a Solitary." The American Poetry Review 5.4 (July 1976): 40-41.   

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Ross, Christina. "Logic, Rhetoric, and Discourse in the Literary Texts of Nineteenth-Century Women." RSQ. 32.2 (Spring 2002): p. 85-109. Dickinson's poetry is a central text in this essay.

Ross, Christine. "Logic, Rhetoric, and Discourse in the Literary Texts of Nineteenth-Century Women." Rhetoric Society Quarterly 32.2 (Spring 2002): 85-109.

---. “Uncommon Measures: Textbook Instruction and Emily Dickinson’s Subversive Prosody.” Emily Dickinson Journal 10.1 (Fall 2001): 70–98.

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Ross, John Robert with Masako Takeda. “Art, Science, and Ste. Emilie’s Sunsets: A Háj-inspired Cognitive Approach to Translating an Emily Dickinson Poem into Japanese.”Style 40.1-2: 109-127. [A sloop of amber]. (2006).

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Rostagno, Irene. "Emily Dickinson: Beyond the Norm." Taller de Letras 10 (1982): 87-98.   

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---. "Whitman and Dickinson." American Literary Scholarship: An Annual (1989): 63-80.

Rubin, Larry. "Dickinson's 'The Soul Selects Her Own Society'." Explicator 30 (1972).   

Rudat, Wolfgang E. H. "Dickinson and Immortality: Virgilian and Miltonic Allusions in 'Of death I try to think like this'." American Notes and Queries 16 (1978): 85-87.   

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---. "Dickinson's 'Banish Air from Air-'." Explicator 40.4 (Summer 1982): 31-33.   

---. "'The color of a queen, is This...': The Significance of Purple in Emily Dickinson's Poetry." Massachusetts Studies in English 7-8.4-1 (1981): 88-98.   

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---. "Dickinson's Trangressive Body." Emily Dickinson Journal 8.1 (1999): 59-72.

---. "Dickinson, Performance, and the Homoerotic Lyric." American Literature: A Journal of Literary History, Criticism, and Bibliography 68.2 (June 1996): 347-363.

Russell, Robert W. "Dickinson's 'At Half Past Three, A Single Bird'." Explicator 16 (1957).   

Rust, Bob. "Klagesteder (Om Paul Celan ved Øyvind Berg og Emily Dickinson ved Tone Hødnebø)." Vagant 2 (1998): 6-15.

Rutledge, David. "Dickinson's 'Good to Hide, and Hear 'Em Hunt!'." Explicator 55.3 (Spring 1997): 139-141.

---. "Dickinson's 'I know That he exists'." Explicator 52.2 (Winter 1994): 81-83.

Ryan, Michael. "My Favorite Poet." Emily Dickinson Journal 15.2 (2006): 38-39.

---. "How to Use a Fly." American Poetry Review 33.2 (Mar. 2004): 15-17.

---. Vocation according to Dickinson. American Poetry Review 29, no.5 (2000 Sept-Oct): p. 43-48.

Ryan, Susanna. "'Perversions of Volition': Self-Starvation and Self-Possession in Dickinson and Stoddard." American Culture, Canons, and the Case of Elizabeth Stoddard. 128-148. Tuscaloosa, AL: U of Alabama P, 2003.

Sadowy, Chester P. "Dickinson's 'He touched me, so I live to know'." Explicator 37.1 (1978): 4-5.   

Safferson, Muriel. "Some Textual Problems in Bolts of Melody." Emily Dickinson Bulletin 31 (1977): 4-14.   

Sahal, N. "Emily Dickinson on Renown." Banasthali Patrika 11 (July 1968): 83-85.   

Salska, Agnieszka. "Dickinson's Letters." The Emily Dickinson Handbook. 163-180. Amherst, MA: U of Massachusetts P, 1998.

---. "The Place of Letters in Dickinson's Opus." Profils Américains 8 (1996): 27-40.

---. "Emily Dickinson in Polish: Recent Translations." The Emily Dickinson Journal 5.2 (1996): 214-220.

---. "Emily Dickinson's Letters: The Making of a Poetics." Crossing Borders: American Literature and Other Artistic Media. 7-17. Lodz; Peoria, IL: Polish Scientific; Spoon River, 1992.

San, Debra. "Ways of Reading Dickinson and Mallarmé." Dissertation Abstracts International 56.4 (Oct. 1995): 1346A-1346A.

---. "Dickinson's 'I am alive-I guess-'." Explicator 52.2 (Winter 1994): 83-86.

Sanazaro, Leonard. "Renunciation and Emily Dickinson's Will to Create." Higginson Journal 34 (June 1983): 19-20.   

Sanborn, Geoffrey. "Keeping Her Distance: Cisneros, Dickinson, and the Politics of Private Enjoyment." PMLA: Publications of the Modern Language Association of America116, no. 5 (2001 Oct): p. 1334-48.

Sanborn, John Newell. "Emily and Art." Pembroke Magazine 25 (1993): 96-98.

Sánchez-Eppler, Karen. "Exhibiting Sheets of Place: Seeing Emily Dickinson through Contemporary Art." Language as Object: Emily Dickinson and Contemporary Art. 14-33. Amherst, MA: Mead Art Museum, Amherst College, in association with U of Massachusetts P, 1997.

---. “At Home in the Body: The Internal Politics of Emily Dickinson’s Poetry.” Touching Liberty: Abolition, Feminism, and the Politics of the Body. Berkeley: U of California P, 1993. 105–31.

---. "Touching Liberty: Abolition, Feminism and the Politics of the Body from the Sentimental to the Lyric." Dissertation Abstracts International 51.12 (June 1991): 4124A-4124A.

Sandeen, Ernest. "Delight Deterred by Retrospect: Emily Dickinson's Late-Summer Poems." New England Quarterly: A Historical Review of New England Life and Letters 40.4 (Dec. 1967): 483-500.   

Sands, Marget. "Re-reading the Poems: Editing Opportunities in Variant Versions," The Emily Dickinson Journal V.2 (1996): 139-147.

Sasahara, Hikaru. "Tennessee Williams to Emily Dickinson - The Glass Menagerie wo Chushin ni." Eigo Seinen (The Rising Generation) 120 (1974): 270-272.   

Satelmajer, Ingrid. "Remapping Dickinson and Periodical Studies." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 65.2 (Aug. 2004): 521-521.

---. “Dickinson as Child’s Fare: The Author Served up in St. Nicholas.” Book History 5 (2002): 105–42.

Satterwhite, Joseph N. "Robert Penn Warren and Emily Dickinson." Modern Language Notes 71.5 (May 1956): 347-349.   

Savery, Pancho. "'The Character of the Speech': 56 Things for Robert Creeley." Robert Creeley: The Poet's Workshop. 223-248. Orono: Nat. Poetry Foundation, Univ. of Maine, 1984.
                                                           
Savinel, Christine. "Le Secret biographique, effacement et justification." L'Auteur à l'oeuvre: Incidences de la psychanalyse. 145-164. Fontenay/Saint-Cloud, France: ENS, 1996.

---. "Emily Dickinson et Shakespeare: L'Espace de l'inqualifiable." L'Espace littéraire dans la littérature et la culture anglo-saxonnes. 201-213. Paris: Presses de la Sorbonne Nouvelle, 1995.

Sax, Boria. "A Visit to the Blacksmith's Shop: Thoughts on a Poem by Emily Dickinson." Archae 2.1 (1991): 33-42.

Schappes, Morris U. "Errors in Mrs. Bianchi's Edition of Emily Dickinson's Letters." American Literature: A Journal of Literary History, Criticism, and Bibliography 4.4 (Jan. 1933): 369-384.   

Scharnhorst, Gary. "A Glimpse of Dickinson at Work." American Literature 57(October 1985): 190-192.

Schenck, Cleste. "All of a Piece: Women's Poetry and Autobiography." In Life/Lines: Theorizing Women's Autobiography. Ed. Bella Brodzki and Celeste Schenck, pp. 281-305. Ithaca and London: Cornell Univ. Press, 1988.

Scheurer, Erika. "From the Prairie to the World: Patrica Hampl and Emily Dickinson." Emily Dickinson International Society Bulletin 14.2 (Nov. 2002): 4.

---. "A Portrait of David Porter." Emily Dickinson International Society Bulletin 12.2 (Nov. 2000): 6-7.

---. "'Near, but Remote': Emily Dickinson's Epistolary Voice." The Emily Dickinson Journal 4.1 (1995): 86-107.

---. "'A Vice for Voices': Emily Dickinson's Dialogic Voice from the Borders." Dissertation Abstracts International 54.10 (Apr. 1994): 3751A-3751A.

Schmidt, Elizabeth. "Alone with God: Emily Dickinson's Early Religious Rebellion." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 66.4 (Oct. 2005): 1357-1358.

Schmit, John. "'I Only Said-the Syntax-': Elision, Recoverability, and Insertion in Emily Dickinson's Poetry." Style 27.1 (Spring 1993): 106-124.

Schneidau, Herbert. "The Antinomian Strain: The Bible and American Poetry." The Bible and American Arts and Letters. 11-32. Philadelphia; Chico, CA: Fortress; Scholars, 1983.   

Scholnick, Robert J. "'Don't Tell! They'd Advertise': Emily Dickinson in the Round Table." Periodical Literature in Nineteenth-Century America. 166-182. Charlottesville: UP of Virginia, 1995.

Scholl, Diane Gabrielson. "From Aaron 'Drest' to Dickinson's 'Queen': Protestant Typology in Herbert and Dickinson." The Emily Dickinson Journal 3.1 (1994): 1-23.

---. "Emily Dickinson's Conversion Narratives: A Study of the Fascicles." Studies in Puritan American Spirituality 1 (1990): 202-224.

Schöpp, Joseph C. "'Amazing Sense Distilled from Ordinary Meanings': The Power of the Word in Emily Dickinson's Poems on Poetry." Poetics in the Poem: Critical Essays on American Self-Reflexive Poetry. 90-103. New York, NY: Peter Lang, 1997.

Schurr, William. "Conclusion to The Marriage of Emily Dickinson." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 53 (1984): 12-23.

Sciarra, T. "A Woman Looking Inward." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 39 (1981): 36-40.   

Scott, Aurelia G. "Emily Dickinson's 'Three Gems'." New England Quarterly: A Historical Review of New England Life and Letters 16.4 (Dec. 1943): 627-628.   

Scott, Wilbur. "Dickinson's I'll Tell You How the Sun Rose." Explicator 7 (1948): 14-14.   

Scribner, Wendy. "The Literary Career of Helen Hunt Jackson: A Study in American Idealism and Realism." Dissertation Abstracts International 51.2 (Aug. 1990): 507A-507A.

Searles, Jo C. "The Art of Dickinson's 'Household Thought'." Concerning Poetry 6.1 (1973): 46-51.   

Seelbinder, Emily. "Leo Smit's Ecstatic Pilgrimage." Emily Dickinson International Society Bulletin 11.1 (May 1999): 13.

---. "These Are Her Introduction? Teaching Emily Dickinson's Poetry in the Trenches." Emily Dickinson Journal 8.2 (1999): 100-110.

Sepetçi, Ufuk. "Death and Immortality in Emily Dickinson's Poems." Interactions: Aegean Journal of English and American Studies/Ege Ingiliz ve Amerikan Incelemeleri Dergisi 13 (Fall 2003): 77-88.

Sewall, Richard. "The Continuing Presence of Emily Dickinson." The Emily Dickinson Handbook. 3-7. Amherst, MA: U of Massachusetts P, 1998.

---. "Emily Dickinson's Perfect Audience: Helen Hunt Jackson." Dickinson and Audience. 201-213. Ann Arbor, MI: U of Michigan P, 1996.

---. "Emily Dickinson's Books and Reading." Emily Dickinson: A Collection of Critical Essays. 40-52. Upper Saddle River: Prentice Hall, 1996.

---. "Science and the Poet: Emily Dickinson's Herbarium and 'The Clue Divine'." Harvard Library Bulletin 3.1 (Spring 1992): 11-26.

---. "Teaching Dickinson: Testimony of a Veteran." Approaches to Teaching Dickinson’s Poetry. 30-38. New York: Mod. Lang. Assn. of Amer., 1989.

---. "In Search of Emily Dickinson." Michigan Quarterly Review 23.4 (Fall 1984): 514-528.

---. "The Lyman Letters: New Light on Emily Dickinson and Her Family." Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs 6 (1965): 693-780.   

Sexton, Carol. "The Relation of Emily Dickinson to God." Aspects (Wesleyan College) 2.1 (1965): 30-43.   

Shafer, Sheila. "Feminism and ED." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 82 (1992): 40-45.

Shakinovsky, Lynn. "No Frame of Reference: The Absence of Context in Emily Dickinson's Poetry." The Emily Dickinson Journal 3.2 (1994): 19-37.

---. "Dickinson's 'I Got So I Could Hear His Name'." Explicator 48.4 (Summer 1990): 258-261.

---. "Hidden Listeners: Dialogism in the Poetry of Emily Dickinson." Discours Social/Social Discourse: Analyse du Discours et Sociocritique des Textes/Discourse Analysis and Sociocriticism of Texts 3.1-2 (1990 Spring-Summer 1990): 199-215.

---. "'The House without the Door': Space and Silence in the Poetry of Emily Dickinson." Dissertation Abstracts International 50.1 (July 1989): 141A-141A.

Sharaf, Mohammed Sayed Abdel-Moniem. "Dickinson Fascicled: A Study of Fascicle 24." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 63.6 (Dec. 2002): 2245-2245.

Sharma, Maya Manju. "Poetry and Meditation: The Education of Emily Dickinson." Dissertation Abstracts International 44.12 (June 1984): 3687A-3688a.

Sharma, R. S. "Indian Musing of an American Muse: Emily Dickinson's 'Drop of India'." Indian Journal of American Studies 24.1 (Winter 1994): 43-48.
                    
---. "Emily Dickinson's 'I heard a fly buzz - when I died': A Reconsideration." Indian Journal of American Studies 8.1 (1978): 50-54.   

Sharon-Zisser, Shirley. "To 'See--Comparatively': Emily Dickinson's Use of Simile." The Emily Dickinson Journal 3.1 (1994): 59-84.

Shattuck, Roger. "Emily Dickinson's Banquet of Abstemiousness." New York Review of Books 43.11 (20 June 1996): 55.

Shaw, Mary Neff. "Dickinson's 'Because I Could Not Stop For Death'." Explicator 50.1 (Fall 1991): 20-21.

Shea, Maureen. "In Emily's Garden." Emily Dickinson International Society Bulletin 11.1 (May 1999): 17-18.

Sheffler, R. A. "Emily Dickinson's 'A Clock Stopped'." Massachusetts Studies in English 1 (1967): 52-54.   

Shemtov, Vered. "Metrical Hybridization: Prosodic Ambiguities as a Form of Social Dialogue." Poetics Today 22.1 (Spring 2001): 65-87.

Sherrer, Grace B. "A Study of Unusual Verb Constructions in the Poems of Emily Dickinson." American Literature: A Journal of Literary History, Criticism, and Bibliography 7.1 (Mar. 1935): 37-46.   

Sherwood, William Robert. "Circumference and Circumstance: Stages in the Mind and Art of Emily Dickinson." Dissertation Abstracts 26 (1965): 2193-2193.   

Shilton, Wendy Pauline. "'As Space Sat Singing': Musical Influence on the Language of Emily Dickinson." Dissertation Abstracts International 57.4 (Oct. 1996): 1622A-1622A.

Shimazaki, Yoko. "A Perspective on Reading Dickinson in Japan." The Emily Dickinson Journal 2.2 (1993): 104-108.

Shoaf, Diann Blakely. "Thinking Back through Our Mothers: Emily Dickinson and Contemporary Women's Poetry." Mid-American Review 13.2 (1992): 108-124.

Shoobridge, Helen. "'Reverence for Each Other Being the Sweet Aim:' Dickinson Face to Face with the Masculine." Emily Dickinson Journal 9.1 (2000): 87-111.

Shoptaw, John. "Listening to Dickinson." Representations 86 (Spring 2004): 20-52.

Short, Bryan C. "Emily Dickinson's Apostrophe." Women’s Studies: An Interdisciplinary Journal 31.6 (Nov. 2002): 769-783.

---. "Emily Dickinson and the Origins of Language." Emily Dickinson Journal 9.2 (2000): 109-119.

---. "Emily Dickinson and the Scottish New Rhetoric." The Emily Dickinson Journal 5.2 (1996): 261-266.

---. "Stowe, Dickinson, and the Rhetoric of Modernism." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 47.3 (Autumn 1991): 1-16.

Shullenberger, William. "'My Class had stood-a Loaded Gun'." Approaches to Teaching Dickinson’s Poetry. 95-104. New York: Mod. Lang. Assn. of Amer., 1989.

---, and Candice Ward. "Special Issue: Emily Dickinson." Massachusetts Studies in English 7-8.4-1 (1981).   

Shurbutt, S. "ED: A Poet the Product of Her Age." Dickinson Studies: Emily Dickinson (1830-86), US Poet 33 (1978): 26-34.   

Shurbutt, Sylvia Bailey. "A Developing Self as Revealed through the Royalty Imagery in the Poems and Letters of Emily Dickinson." American Transcendental Quarterly: A Journal of New England Writers 42 (1979): 167-176.   

Shurin, Aaron. "A Thing unto Myself: The Unromantic Self and Gender in the Third Person." Code of Signals: Recent Writing in Poetics. 185-196. Berkeley: North Atlantic, 1983.

Shurr, William. "Editing the New Poems of Emily Dickinson." The Emily Dickinson Journal 4.1 (1995): 118-125.

Siegfried, Regina, A.S.C. "Bibliographic Essay: Selected Criticism for ED's Religious Background." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 52 (1984): 32-53.

Sielke, Sabine. "'Rowing in Eden' and Related Waterway Adventures: Seaward Visions in American Women's Writing." The Sea and the American Imagination. 111-134. Tübingen, Germany: Stauffenburg, 2004.

---. "Dickinson's Threshold Glances: Or, Putting the Subject on Edge." The Emily Dickinson Journal 5.2 (1996): 93-99.

Simic, Charles. "Visionaries and Anti-Visionaries." Denver Quarterly 24.1 (Summer 1989): 114-123.

---. "Chinese Boxes and Puppet Theaters." Ironwood 28 (1986): 104-105.

Simon, Maurya. "Poem 271." Women’s Studies: An Interdisciplinary Journal 16.1-2 (1989): 35-37.

---. "Poem 1651." Women’s Studies: An Interdisciplinary Journal 16.1-2 (1989): 185-187.

Simpson, Jeffrey. "The Dependent Self: ED and Friendship." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 45 (June 1983): 35-42.   

Simpson, Paul ed. “Grounded Spaces: Deictic -Self Anaphors in the Poetry of Emily Dickinson.” Language and Literature  6.1: 7–28. Abbreviated version: 2004 “Grounded Spaces in the Poetry of Emily Dickinson.” In Stylistics, London and New York: Routledge. (1997). 201-210.

Singh, Gurdit. "The Cross and the Crown: Emily Dickinson, an Interpretation." Variations on American Literature. 21-25. New Delhi: U.S. Educ. Foundation in India, 1968.   

Singley, Carol J. "Reaching Lonely Heights: Sarah Orne Jewett, Emily Dickinson, and Female Initiation." Colby Library Quarterly 22.1 (Mar. 1986): 75-82.
                                                 
Sletto, Arlo Duane. “Emily Dickinson’s Poetry: The Fascicles.” Diss. University of New Mexico, 1975.

---. "Emily Dickinson's Poetry: The Fascicles." Dissertation Abstracts International 36 (1975): 3719A.   

Sloan, Gary. "Beholder's Eye: Emily Dickinson: Pagan Sphinx." Potpourri: A Magazine of the Literary Arts 13.3 (2001): 31-36.

Slote, Bernice. "Whitman and Dickinson." American Literary Scholarship: An Annual (1974): 61-74.   

---. "Whitman and Dickinson." American Literary Scholarship:An Annual:1972. 59-72. Durham, N.C.: Duke U.P, 1974.   

---. "Whitman and Dickinson." American Literary Scholarship: An Annual (1973): 85-98.  

---. "Whitman and Dickinson." American Literary Scholarship:An Annual:1971. 59-74. Durham, N.C.: Duke U.P, 1973.     

---. "Whitman and Dickinson." American Literary Scholarship:An Annual:1970. 55-76. Durham, N.C.: Duke U.P, 1972.   

---. "Whitman and Dickinson." American Literary Scholarship:An Annual:1969. 56-76. Durham, N.C.: Duke U.P, 1971.   

Small, Judy Jo, and Paul Crumbley. "In Tribute to Everett Emerson." Emily Dickinson International Society Bulletin 15.2 (Nov. 2003): 14.

---. "Full as Opera: Emily Dickinson's Rhyme." Dissertation Abstracts International 47.8 (Feb. 1987): 3042A-3042A.

Smidt, Aagot Karner. "Emily Dickinson." Vinduet 25 (1961): 220-223.   

Smith, Grover. "Dickinson's A Route of Evanescence." Explicator 7 (1949).   

Smith, Lorrie. "Some See God and Live: Dickinson's Later Mysticism." American Transcendental Quarterly 1.4 (Dec. 1987): 302-309.

Smith, Martha Nell . "Emily Scissorhands: Reading Dickinson Reading." Variants: The Journal of the European Society for Textual Scholarship 2-3 (2004): 279-291.

---. "Susan & Emily Dickinson: Their Lives, in Letters," Cambridge Companion to Emily Dickinson, ed. Wendy Martin (Cambridge U P, 2002), 51-73.

---. "Computing: What's American Literary Study Got to Do with IT?" American Literature, 74.4 (December 2002):p833-857. Contains substantial Dickinson content with an argument for working more collaboratively.

---."Les Omissions ne Sont pas des Accidents: Ratures et Cancellations dans les Manuscrits d'Emily Dickinson." La Literature a Ses Limites: Genese, Censure, Autocensure, Textes Rassemblees et Presentes, par Claire Bustarret et Catherine Viollet (Textes et Manuscrits, Editions du C.N.R.S., 2002).

---. "Susan and Emily Dickinson: Their Lives in Letters." The Cambridge Companion to Emily Dickinson. Ed. Martin, Wendy. Cambridge, MA: Cambridge Univ. Press, 2002.

---, and Clare Brant. "Suppressing the Books of Susan in Emily Dickinson." Epistolary Histories: Letters, Fiction, Culture. 101-125. Charlottesville, VA: UP of Virginia, 2000.

---. "Electronic Resources on Emily Dickinson." Emily Dickinson International Society Bulletin 12.2 (Nov. 2000): 13.

---, and Ellen Louise Hart. "On Franklin's Gifts and Ghosts". Emily Dickinson Journal 8, no. 2 (1999): p. 24-38.

---. "Because the Plunge from the Front Overturned Us: The Dickinson Electronic Archives Project." Studies in the Literary Imagination 32:1 (Spring 1999): 133-51.

---. "'Open Me Carefully': Emily's Book for Susan." Emily Dickinson International Society Bulletin 10.1 (May 1998): 12.

---. "Dickinson's Manuscripts." The Emily Dickinson Handbook. 113-137. Amherst, MA: U of Massachusetts P, 1998.

---. "Corporealizations of Dickinson and Interpretive Machines." The Iconic Page in Manuscript, Print, and Digital Culture, ed. George Bornstein & Theresa Tinkle. Ann Arbor: U of Michigan P, 1997.

---. "The Belle of the Belle of Amherst." Harvard Gay & Lesbian Review 3.1 (Fall 1996): 25-27.

---. "The Poet as Cartoonist: Pictures Sewed to Words." Emily Dickinson: A Collection of Critical Essays. 225-239. Upper Saddle River: Prentice Hall, 1996.

---. "A Hypermedia Archive of Dickinson's Creative Work, Part II: Musings on The Screen and The Book." The Emily Dickinson Journal 5.2 (1996): 18-25.

---. "Worlds of Possibility." Profils Américains 8 (1996): 159-171.

---. "The Importance of a Hypermedia Archive of Dickinson's Creative Work." The Emily Dickinson Journal IV.1 (1995): 75-85.

---. "Whitman & Dickinson." American Literary Scholarship: An Annual (1994): 63-92.

---. "Gender Issues in Textual Editing of Emily Dickinson." Women’s Studies Quarterly 19, nos. 3 and 4 (Fall/Winter 1991): 78-111.

---. "Not Each in Isolation." H. D. Newsletter 2.1 (Spring 1988): 48-51.

---. "To Fill a Gap." San Jose Studies 13, no. 3 (1987): 3-25.

---. "'Rowing in Eden': Gender and the Poetics of Emily Dickinson." Dissertation Abstracts International 47.1 (July 1986): 183A-183A.

---. "Dickinson Electronic Archives." (n.d.).   

---. "The Civil War, Class & the Dickinsons." (n.d.).   

Smith, Rob McClure. "Billy Collins Takes Off Emily Dickinson's Clothes." Emily Dickinson International Society Bulletin 13.1 (May 2001): 6.

--- . “Dickinson and the Masochistic Aesthetic.” The Emily Dickinson Journal 7.2 (1998): 1–21.

---. "Reading Seductions: Dickinson, Rhetoric, and the Male Reader." Dickinson and Audience. 105-131. Ann Arbor, MI: U of Michigan P, 1996.

---. "'He Asked If I Was His': The Seductions of Emily Dickinson." ESQ: A Journal of the American Renaissance 40.1 (1st Quarter 1994): 27-65.

---. "'The Show is Not the Show': Rhetorics of Seduction in the Poetry of Emily Dickinson." Dissertation Abstracts International 53.2 (Aug. 1992): 499A-500a.

Smith, Russell St. Clair. "Emily Dickinson: A Bibliographical Note." Notes and Queries 193 (1948): 188-189.   

Smith, Susan B. "'Radical Dualism': Emily Dickinson and Margaret Fuller." Higginson Journal 45 (1986): 31-41.

Smith, Susan Margaret Belasco. "The Extension of Self-Culture: Margaret Fuller and Emily Dickinson." Dissertation Abstracts International 48.6 (Dec. 1987): 1456A-1456A.

Snider, Clifton. "Emily Dickinson and Shamanism: 'A Druidic Difference'." San Francisco Jung Institute Library Journal 14.4 (1996): 33-64.

Socarides, Alexandra. "Rethinking the Fascicles: Dickinson's Writing, Copying, and Binding Practices." Emily Dickinson Journal 15.2 (2006): 69-94.

Sohn, Youngmi. "The Challenge of Temporality: The Time Poems of Emily Dickinson." Dissertation Abstracts International 54.4 (Oct. 1993): 1370A-1370A.

Solaro, Barbara C. "The Divided Consciousness of Emily Dickinson." Dissertation Abstracts International 47.8 (Feb. 1987): 3042A-3042A.

Soler, William G. "Two Variants of John Dickinson's 'Ode, on the French Revolution'." Notes and Queries 198 (1953): 63-64.   

Son, Hyesook. "Alterity and the Lyric: Heidegger, Levinas, and Emily Dickinson." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 63.6 (Dec. 2002): 2245-2245.

Sonntag, Carla S. "Epilepsy and Thomas Carlyle." Dickinson Studies: Emily Dickinson (1830-86), US Poet 35 (1979): 23-34.   

Sorensen, Jean Whiteside. "Pious Irreverence: Emily Dickinson's Engagement with Tradition." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 60.4 (Oct. 1999): 1137-1137.

Soule, George H., Jr. "Emily Dickinson and the Robin." Essays in Literature 9.1 (Spring 1982): 67-82.   

---., Jr. "ED and Jacob: 'Pugilist and Poet' Wrestling to the Dawn." Emily Dickinson Bulletin 31 (1977): 50-58.   

Sousa Coelho, Maria Luisa de. "Dickinson's ' 'Tis Little I -- Could Care for Pearls' " Explicator 60, no. 3 (2002 Spring): p. 140-143.

Spahr, Juliana. "A, B, C: Reading against Emily Dickinson and Gertrude Stein." A Poetics of Criticism. 281-292. Buffalo: Leave, 1994.

"Special Section on Emily Dickinson and H. D." San Jose Studies 13.3 (Fall 1987): 3-101.

Spencer, Benjamin T. "Criticism: Centrifugal and Centripetal." Criticism: A Quarterly for Literature and the Arts 8 (1966): 139-154.   

Spicer, John L. "The Poems of Emily Dickinson." Boston Public Library Quarterly 8(July 1956): 135-143.

Spies, Lina. "Lewe my vers? Die jong digter se roep om leiding-'n blywende behoefte." Tydskrif vir Letterkunde 24.1 (Feb. 1986): 39-56.

Spring, Suzanne B. "Forming Letters: Mount Holyoke, Emily Dickinson, and Nineteenth-Century Epistolary Compositions." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 66.9 (Mar. 2006): 3292-3292.

Springer, Marlene. "Emily Dickinson's Humorous Road to Heaven." Renascence: Essays on Value in Literature 23 (1971): 129-136.   

St. Armand, Barton Levi. "The Art of Peace." Emily Dickinson: A Collection of Critical Essays. 163-172. Upper Saddle River: Prentice Hall, 1996.

---. "Emily Dickinson and The Indicator: A Transcendental Frolic." The Emily Dickinson Journal 2.2 (1993): 78-96.

---. "'Looking at Death, is Dying': Understanding Dickinson's Morbidity." Approaches to Teaching Dickinson’s Poetry. 155-163. New York: Mod. Lang. Assn. of Amer., 1989.

---. "Fine Fitnesses: Dickinson, Higginson, and Literary Luminism." Prospects: An Annual Journal of American Cultural Studies 14 (1989): 141-173.

---. "'Your Prodigal': Letters from Ned Dickinson, 1879-1885." New England Quarterly: A Historical Review of New England Life and Letters 61.3 (Sep. 1988): 358-380.

---. “Veiled Ladies: Dickinson, Bettine, and Transcendental Mediumship.” Studies in the American Renaissance (1987): 1–51.

---. “Emily Dickinson and the Occult: The Rosicrucian Connection.” Prairie Schooner 51 (1977–78): 345–57.

---. "Emily Dickinson at Yale: Recent Biography and Criticism." Michigan Quarterly Review 16 (1977): 83-93.   

---. "Emily Dickinson's American Grotesque: The Poet as Folk Artist." Topic: A Journal of the Liberal Arts 31 (1977): 3-19.   

---. "Emily Dickinson's 'Babes in the Wood': A Ballad Reborn." Journal of American Folklore 90.358 (Oct. 1977): 430-441.   

---. "Paradise Deferred: The Image of Heaven in the Work of Emily Dickinson and Elizabeth Stuart Phelps." American Quarterly 29 (1977): 55-78.   

---. "Dickinson's 'For every Bird a Nest'." Explicator 35.3 (1977): 34-35.   

---, and George Monteiro. "On Behalf of Emily: Dickinson Letters and Documents (1891-1892)." Resources for American Literary Study 6 (1976): 191-198.   

---. "In the American Manner: An Inquiry into the Aesthetics of Emily Dickinson and Edgar Allan Poe." Dissertation Abstracts: Section A. Humanities and Social Science 30 (1969): 294A-294A.   

Stambovsky, Phillip. "Emily Dickinson's 'The Last Night That She Lived': Explorations of a Witnessing Spirit." Concerning Poetry 19 (1986): 87-93.

Stamm, Edith Perry. "Emily Dickinson: Poetry and Punctuation." Saturday Review 46 (30 Mar. 1963): 26.   

Starke, Aubrey. "Emily Dickinson as a Great Unknown." American Book Collector 5 (1934): 245-250.   

Staub, Michael E. "White Moth and Ox: The Friendship of ED with H. H. Jackson." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 68 (1988): 17-25.

---. "A Dickinson Diagnosis." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 54 (1984): 43-46.

Steele, Charles R. "Heaped Words in the Void: Some Recent Dickinson Criticism." Canadian Review of American Studies/Revue Canadienne d'Etudes Americaines 15.1 (Spring 1984): 63-71.

Stefanelli, Maria Anita. "Dickinson on Stage." Women’s Studies: An Interdisciplinary Journal 31.6 (Nov. 2002): 785-793.

Steger, Cecelia Hesney. "Phonological Patterning and Syntactic Structure in the Literary Criticism for Fifteen Poems by Emily Dickinson." Dissertation Abstracts International 38 (1978): 6126A-6126A.   

Stein, Nancy Rachel. "Shifting the Ground: Four Anmerican Women Writers' Revisions of Nature, Gender, and Race." Dissertation Abstracts International 55.7 (Jan. 1995): 1972A-1972A.

Stein, William B. "Emily Dickinson's Parodic Masks." University Review 36 (1969): 49-55.   

Steinbrink, Jeffrey. "Emily Dickinson and Sylvia Plath: The Values of Mortality." Women & Literature 4.1 (1976): 45-48.   

Steiner, Dorothea. "Emily Dickinson: Image Patterns and the Female Imagination." Arbeiten aus Anglistik und Amerikanistik 6.1 (1981): 57-71.   

Stephenson, William E. "Emily Dickinson and Watts's Songs for Children." English Language Notes 3 (1966): 278-281.   

Stewart, Susan. "Some Thoughts about Dickinson's 'Dont put up my Thread & Needle'." Emily Dickinson Journal 15.2 (2006): 58-65.

Stewart, Veronica Jane. "Emily Dickinson and the Rhetoric of Conversion." Dissertation Abstracts International 51.11 (May 1991): 3747A-3747A.

Stitt, Peter. "Sex, Poetry, Insurance, and the Truth about Emily Dickinson." Gettysburg Review 12.3 (Autumn 1999).

Stonum, Gary Lee. "Whitman and Dickinson." American Literary Scholarship: An Annual (1991): 73-85.

---. "Dickinson against the Sublime." University of Dayton Review 19.1 (1987-1988 Winter 1987): 31-37.

Stoneley, Peter. “‘I – Pay – in Satin Cash –’: Commerce, Gender, and Display in Emily Dickinson’s Poetry.” American Literature 72 (2000): 575–94.

Stonum, Gary Lee. "Dickinson's Literary Background." The Emily Dickinson Handbook. 44-60. Amherst, MA: U of Massachusetts P, 1998.

---. "Whitman & Dickinson." American Literary Scholarship: An Annual (1992): 65-77.

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---. "'In Praise of 'Ramona': Emily Dickinson and Helen Hunt Jackson's Indian Novel." Emily Dickinson Journal 9.2 (2000): 120-133.

---. "Emily Dickinson's Colorado." Emily Dickinson Journal 8.1 (1999): 1-23.

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Sudol, Ronald A. "Elegy and Immortality: Emily Dickinson's 'Lay this Laurel on the One'." ESQ: A Journal of the American Renaissance 26 (1980): 10-15.   

---. "Elegy in the Poetry of Emily Dickinson." Dissertation Abstracts International 37 (1976): 1557A.   

Sullivan, David. " 'Companions are Horizons': 'I,' 'You,' Robin Blaser, and Emily Dickinson." Sagetrieb: A Journal Devoted to Poets in the Imagist/Objectivist Tradition, 17, no. 1-2&3 (2002): p. 97-123. Compares work by Blaser with Dickinson.

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---. "Running the 'Double Risk': Emily Dickinson Fleeing the Worm's Secretions." The Emily Dickinson Journal 5.2 (1996): 190-196.

---. "Facing the Second Person: Emily Dickinson, Killarney Clary." Dissertation Abstracts International 56.1 (July 1995): 195A-195A.

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Susko, Mario. "Unutarnja gravitacija Emily Dickinson." Kolo 15 (1970): 143-170.   

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---. "Dickinson and 'That Foreign Lady-'." Symbiosis: A Journal of Anglo-American Literary Relations 4.1 (Apr. 2000): 51-65.

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---. "Amatory Strains: Erotic Love in the Poetry of Emily Dickinson and Christina Rossetti." Dissertation Abstracts International 49.7 (Jan. 1989): 1794A-1795a.

Takeda, Masako, and Margaret H. Freeman. “Art, Science, and Ste. Emilie’s Sunsets: A Háj-inspired Cognitive Approach to Translating an Emily Dickinson Poem into Japanese.” With Masako Takeda. Festschrift for John Robert Ross. Style 40.1-2 (2006): 109-127. [A sloop of amber]

---. "Son of Ecstasy." Metamorphoses: Journal of the Five-College Seminar on Literary Translation 7.1 (Winter 1998): 19-29.

---. "Translating 'There's a Certain Slant of Light' into Japanese." Emily Dickinson Journal 6.2 (1997): 56-61.

---. "A Japanese Translation of 'Because I Could Not Stop for Death'." Emily Dickinson Journal 6.2 (1997): 127-132.

---. "A Commentary on the Japanese Translation." Metamorphoses: Journal of the Five-College Seminar on Literary Translation 3.1 (Dec. 1994): 48-53.

---, and Gregory Farmer. "The Evergreens: The Other Dickinson House." Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs 34.4 (1993-1994 Winter 1993): 545-564.

---. "'After Great Pain, a Formal Feeling Comes--': The Problems of Translating Dickinson's 'Poetry' into Contemporary Japanese 'Verse'." The Emily Dickinson Journal 2.2 (1993): 153-159.

---. "Emily Dickinson in Japan." The Single Hound: The Poetry and Image of Emily Dickinson 1.1 (May 1989): 8-11.

Talbot, Norman. "The Child, the Actress, and Miss Emily Dickinson." Southern Review: Literary and Interdisciplinary Essays 5 (1972): 102-123.   

Tan, Dali. "Exploring the Intersection between Gender and Culture: Rereading Li Qingzhao and Emily Dickinson from a Comparative Perspective." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 58.11 (May 1998): 4263-4263.

---. "Negotiating Cultural and Linguistic Differences in Translation through Transformation." Emily Dickinson Journal 6.2 (1997): 50-55.

---. "Can Poems Be Translated? Reflections on Poetry Translation and Translating Emily Dickinson into Chinese." Emily Dickinson Journal 6.2 (1997): 151-157.

Tanner, Stephen L. "Emily Dickinson and the Psychoanalyst." University of Dayton Review 19.1 (1987-1988 Winter 1987): 103-109.

Tanselle, G. Thomas. "Emily Dickinson as an Editorial Problem." Raritan: A Quarterly Review 19, no. 4 (2000 Spring): p. 64-79.

Tanter, Marcy. "Marilyn Nelson Celebrates Emily Dickinson." Emily Dickinson International Society Bulletin 12.2 (Nov. 2000): 4-5.

---. "'Behind the Wall of Sense': Emily Dickinson and Her Nineteenth-Century British Writers." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 57.7 (Jan. 1997): 3025-3025.

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Taubman, Dzhein. "Pauza v zhenskoi rechi: Tire u Emili Dikinson i Mariny Tsvetaevoi." Literaturnoe Obozrenie: Zhurnal Khudozhestvennoi Literatury, Kritiki i Bibliografii 11-12 (1992): 37-41.

---. "Tire u Emili Dikinson i Mariny Tsvetaevoi: Pauza vnutri stikhotvoreniia." Marina Tsvetaeva, 1892-1992. 206-218. Northfield, VT: Russian School, Norwich University, 1992.

Taylor, Carole Anne. "Kierkegaard and the Ironic Voices of Emily Dickinson." Journal of English and Germanic Philology 77 (1978): 569-581.   

Taylor, Estelle W. "Shakespeare's Use of Assimilated Forms of Has and Is." Higginson Journal of Poetry 1.4 (1972): 53-55.   

Taylor, Linda J. "Form, Process, and the Dialectic of Self-Construction: 'After Great Pain' and Three Modern Poems." University of Dayton Review 19.1 (1987-1988 Winter 1987): 91-101.

---. "Shakespeare and Circumference: Dickinson's Hummingbird and the The Tempest." ESQ: A Journal of the American Renaissance 23 (1977): 252-261.  

Taylor, Marcella. "Androgyny in the Poetry of Emily Dickinson." Journal of Evolutionary Psychology 5.3-4 (Aug. 1984): 131-144.

---. "Shaman Motifs in the Poetry of Emily Dickinson." Dickinson Studies: Emily Dickinson (1830-86), US Poet 38 (1980): 1-11.     

---. "Polarity and Resolution: The Fiction-Making Process of Emily Dickinson." Dissertation Abstracts International 37 (1977): 5130A-5130A.   

Taylor, Sheila C. "Emily Dickinson Annual Bibliography for 1973." Emily Dickinson Bulletin 26 (1974): 93-101.   

---. "Emily Dickinson: Annual Bibliography for 1973, 1974, 1975." Dickinson Studies: Emily Dickinson (1830-86), US Poet 26 (1974): 93-101;.   

Teichert, Marilyn C. "The Divine Adversary: The Image of God in Three ED Poems." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 46 (1983): 21-26.   

Telfer, Terry. "A Religious Context for ED's Poetry." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 73 (1990): 37-52.

Temple, Judy Nolte. "Emily Dickinson's Country Kin: Variorum Diarist Emily Hawley Gillespie." A/B: Auto/Biography Studies 17.1 (Summer 2002): 81-100.

---. "'They Shut Me Up in Prose': A Cautionary Tale of Two Emilys." Frontiers: A Journal of Women Studies 22.1 (2001): 150-173.

Tenenbaum, R. Betsy. "Varieties of 'Extremity' in E.D.'s Poetry." Dickinson Studies: Emily Dickinson (1830-86), US Poet 32 (1977): 119-121.   

Terris, Virginia R. "ED's White Frock: A Further Suggestion." Dickinson Studies: Emily Dickinson (1830-86), US Poet 28 (1975): 127-128.   

---. "Emily Dickinson and the Genteel Critics." Dissertation Abstracts International 34 (1973): 1257A.   

"The ED Death Centennial Conferences, Publication, etc." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 62 (1987): 19-44.

Theune, Michael. "'One and One Are One'...and Two: An Inquiry into Dickinson's Use of Mathematical Signs." Emily Dickinson Journal 10.1 (2001): 99-116.

Thomas, Heather Kirk. "Emily Dickinson's 'Renunciation' and Anorexia Nervosa." American Literature: A Journal of Literary History, Criticism, and Bibliography 60.2 (May 1988): 205-225.

Thomas, Jeanette M. "Emerson's Influence on Two of ED's Poems." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 41 (Dec. 1981): 38-42.   

Thomas, Mary Jo. "Articulation and the Agoraphobic Experience in the Poems of Emily Dickinson." Dissertation Abstracts International 51.4 (Oct. 1990): 1232A-1232A.

Thomas, Owen. "Father and Daughter: Edward and Emily Dickinson." American Literature: A Journal of Literary History, Criticism, and Bibliography 40.4 (Jan. 1969): 510-523.   

---., Jr. "Dickinson's 'So Glad We Are'." Explicator 18 (1959).   

Thompson, Maurice. “Miss Dickinson’s Poems.” America 5 (8 January 1891): 425. Rpt. in Emily Dickinson’s Reception in the 1890s: A Documentary History. Ed. Willis J. Buckingham. Pittsburgh: U of Pittsburgh P, 1989. 94–98.

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Thorsell, Marta Dahlgren. "Relevance and the Translation of Poetry." Revista Alicantina de Estudios Ingleses 11 (Nov. 1998): 23-32.

Thota, Anand Rao. "Play in Dickinson." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 46 (1983): 39-41.   

---. Foreward by Satyanarain Singh. Emily Dickinson: The Metaphysical Tradition. Atlantic Highlands, NJ: Humanities, 1982.

Thundyil, Zacharias. "Circumstance, Circumference, and Center: Immanence and Transcendence in Emily Dickinson's Poems of Extreme Situations." Hartford Studies in Literature 3 (1971): 73-92.   

Tilma-Dekkers, E. M. "Immortality in the Poetry of Emily Dickinson." Dutch Quarterly Review of Anglo-American Letters 8 (1978): 162-182.   

Timmerman, John. "God and Image of God in J. 609: A Brief Analysis." Dickinson Studies: Emily Dickinson (1830-86), US Poet 28 (1975): 124-126.   

Tingley, Stephanie A. "'My Business Is to Sing': Emily Dickinson's Letters to Elizabeth Holland." Dickinson and Audience. 181-199. Ann Arbor, MI: U of Michigan P, 1996.

---. "'A Letter Is a Joy of Earth': Emily Dickinson's Letters and Victorian Epistolary Conventions." The Emily Dickinson Journal 5.2 (1996): 202-208.

---. "'My friends are very few': The Influence of Emily Dickinson's Select Contemporary Audience on Her Poetry." Dissertation Abstracts International 48.7 (Jan. 1988): 1771A-1771A.

Todd, John E. "The Persona in Emily Dickinson's Love Poems." Michigan Academician: Papers of the MichiganAcademy of Science, Arts, and Letters 1.1-2 (1969): 197-207. 

---. "Emily Dickinson's Use of the Persona." Dissertation Abstracts 26 (1965): 3309-3310.      

---. "Emily Dickinson's Literary Début." Harper’s Magazine 160 (1930): 463-471.   

Todorova, Emilija. "Pisma do Tomas Higinson." Razgledi: Spisanie za Literatura Umetnost i Kultura 8-9 (Oct. 1983): 992-1006.

---. "Pismata na Emili Dikinson." Razgledi: Spisanie za Literatura Umetnost i Kultura 8-9 (Oct. 1983): 1007-1010.

Toegel, Edith Maria. "Emily Dickinson and Annette von Droste-Hülshoff: Poets as Women." Dissertation Abstracts International 41.11 (May 1981): 4706A-4707a.   

Tolles, Frederick B. "Light on John Dickinson." Friends’ Intelligencer 104 (01 Feb. 1947): 56-56.   

Torlasco, Domietta. "Traduzione e strategie di 'gender': Le metafore della morte nella poesia di Emily Dickinson." Versus: Quaderni di Studi Semiotici 76 (Jan. 1997): 73-94.

Towheed, M. O. "The Wit of Emily Dickinson." Banasthali Patrika 11 (July 1968): 20-30.  

Travis, Mildred K. "Dickinson's 'Of God we ask one favor'." Explicator 40.1 (Fall 1981): 31-32.   

Tripp, Raymond P., Jr. "Thoreau, Dickinson, and Barfield and the World as Window of Opportunity." Journal of Evolutionary Psychology 22.1-2 (Mar. 2002): 19-27.

---. "'An Experiment in Criticism': Beowulf and Emily Dickinson." In Geardagum: Essays on Old and Middle English Language and Literature 17 (1996): 59-72.

---. "A Physiological Test for Transcendentalism." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 75 (1990): 24-25.

---. "Spiritual Action in 'My Life had stood-a Loaded Gun-'." Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 25.3 (Summer 1989): 282-303.

Truchlar, Leo. "Zur Lyrik Emily Dickinsons,." 6-32 in On Poets & Poetry: A Symposium from the Department of English at the University of Salzburg. (PD 27.). Salzburg: Inst. fur eng. Sprache & Lit., Univ. Salzburg, 1974.   

Trueblood, Charles K. "Emily Dickinson." Dial 80 (1926): 301-311.   

Tselentis-Apostolidis, Persephone. "And I Will Be Socrates: Greek Elements in the Poetry of Dickinson." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 52 (1984): 3-21.

Tsur, Reuven. "Metaphor and Figure-Ground Relationship: Comparisons from Poetry, Music, and the Visual Arts." PSYART: A Hyperlink Journal for the Psychological Study of the Arts 4 (2000).

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---. "Kieru Enshu." Eibungaku to no Deai. 57-68. Kyoto: Showado, 1983.   

---. "Soshitsu kara Kurayami no Enshu e." Eibungaku to no Deai. 49-57. Kyoto: Showado, 1983.   

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---. "Language Experiments: Whitman, Dickinson, and the Poetics of Allusion." Dissertation Abstracts International 54.12 (June 1994): 4444A.

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---. "Notes on Two Poems by Emily Dickinson." Notes and Queries 13 (1966): 342-343.   

---. "Dickinson's 'The Crickets Sang'." Explicator 23 (1965).   

Turco, Lewis. "Iron Pyrites in the Dickinson Mine." The Emily Dickinson Journal 4.1 (1995): 108-117.

---. "Three Poems on Lines from Emily Dickinson's Letters." Centennial Review 27.3 (Summer 1983): 186-187.   

Ujszászi, Zsuzsanna. "Chances of Equivalence in Translating 'To Pile Like Thunder to It's Close' into Hungarian." Emily Dickinson Journal 6.2 (1997): 172-176.

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Uno, Hiroko. "Dikinsun kara Sutibensu e: Pyuritanizumu to kagakuseishin." Kobe Jogakuin Daigaku Kenkyujo Yakuin/KobeCollege Studies 47.3 [139] (Mar. 2001): 36-55.

---. “Geology in Emily Dickinson's Poetry.” Kobe Jogakuin Daigaku Kenkyujo Yakuin/KobeCollege Studies 48, no. 2 (141) (2001 Dec): p. 1-25.

---. "'Chemical Conviction': Dickinson, Hitchcock and the Poetry of Science." Emily Dickinson Journal 7.2 (1998): 95-111.

---. "Two Emily Dickinsons." William Carlos Williams Newsletter 5.1 (1979): 20-22.

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Van Deusen, Marshall. "Dickinson's 'These Are the Days when Birds Come Back'." Explicator 12 (1954).   

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Vernon, Sean. "This and My Heart", Music CD, Amherst, MA: SnarkMusic, 2002. Original folk music settings of 18 Dickinson poems. The title comes from the lines: "It's all I have to bring today/ This and my heart beside." This is Sean Vernon's 2nd CD of Emily Dickinson's poems; the first was "Wider than the Sky" which was featured at the EDIS meeting, "Dickinson in Song," in Amherst this past July. For more information, write: turnerstone@crocker.com

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Walker, Cheryl. "Dickinson in Context: Nineteenth-Century American Women Poets."A Historical Guide to Emily Dickinson. 175-200. Oxford, England: Oxford UP, 2004.

---. "Teaching Dickinson as a Gen(i)us: Emily among the Women." The Emily Dickinson Journal 2.2 (1993): 172-180.

---. "A Feminist Critic Responds to Recurring Student Questions about Dickinson." Approaches to Teaching Dickinson’s Poetry. 142-147. New York: Mod. Lang. Assn. of Amer., 1989.

---. "Locating a Feminist Critical Practice: Between the Kingdom and the Glory." Women’s Studies: An Interdisciplinary Journal 16.1-2 (1989): 9-19.

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Walker, Nancy A. "Emily Dickinson (1830-1886)." Nineteenth-Century American Women Writers: A Bio-Bibliographical Critical Sourcebook. 99-110. Westport, CT: Greenwood, 1997.

---. "Voice, Tone, and Persona in Dickinson's Love Poetry." Approaches to Teaching Dickinson’s Poetry. 105-112. New York: Mod. Lang. Assn. of Amer., 1989.

---. "'Wider than the sky': Public Presence and Private Self in Dickinson, James, and Woolf." The Private Self: Theory and Practice of Women's Autobiographical Writings. 272-303. Chapel Hill: U of North Carolina P, 1988.

---. "On Emily Dickinson." Tulsa Studies in Women’s Literature 3.1-2 (1984 Spring-Fall 1984): 169-178.

---. "Review Essay: Our Emily Dickinson." Tulsa Studies in Women’s Literature 3.1-2 (1984 Spring-Fall 1984): 169-178.

---. "Emily Dickinson and the Self: Humor as Identity." Tulsa Studies in Women’s Literature 2.1 (Spring 1983): 57-68.   

---. "Reading the Poet and the Poetry: Critics and Emily Dickinson." Tulsa Studies in Women’s Literature 2.2 (Fall 1983): 229-233.    

Walker, Virginia. "The Subject of Lyric: Reading Emily Dickinson." Dissertation Abstracts International 56.8 (Feb. 1996): 3125A.

Wallace, Robert K., and Melissa Rae Gers. "Dickinson's Power in Student Hands." Emily Dickinson International Society Bulletin 15.1 (May 2003): 3.

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Wand, Martin, and Richard B. Sewall. "'Eyes Be Blind, Heart Be Still': A New Perspective on Emily Dickinson's Eye Problem." New England Quarterly: A Historical Review of New England Life and Letters 52.3 (Sep. 1979): 400-406.   

Ward, Theodora. "The Finest Secret: Emotional Currents in the Life of Emily Dickinson after 1865." Harvard Library Bulletin 14 (1960): 82-106.   

---. "Ourself behind Ourself: An Interpretation of the Crisis in the Life of Emily Dickinson." Harvard Library Bulletin 10 (1956): 5-39.   

---. "Emily Dickinson and Thomas Wentworth Higginson." Boston Public Library Quarterly 5 (1953): 3-18.   

Wardrop, Daneen. "The Body's Body: Dickinson's Fashions and Amplitude." Emily Dickinson Journal 14.2 (2005): 34-47.

---. "Emily Dickinson and the Gothic in Fascicle 16." The Cambridge Companion to Emily Dickinson. Ed. Martin, Wendy. Cambridge, MA: Cambridge Univ. Press, 2002.

---. "The Poetics of Political Involvement and Non-Involvement." Emily Dickinson Journal 10.2 (2001): 52-67.

---. “‘That Minute Domingo’: Dickinson’s Cooptation of Abolitionist Diction and Franklin’s Variorum Edition.” Emily Dickinson Journal 8.2 (1999): 72–86.

---. "Emily Dickinson's Gothic Wedding: Dowered Bride and Absent Groom." American Transcendental Quarterly 10.2 (June 1996): 91-110.

---. "'Goblin with a Gauge': Dickinson's Readerly Gothic." The Emily Dickinson Journal 1.1 (1992): 39-53.

---. "Goblin with a Gauge: Language and Gothicism in the Poetry of Emily Dickinson." Dissertation Abstracts International 52.5 (Nov. 1991): 1750A-1750A.

Wargacki, John P. "Dickinson's 'A Little East of Jordan': Jacob the 'God-Fighter'." Explicator 65.3 (Spring 2007): 154-157.

Warren, Austin. "Emily Dickinson." Sewanee Review 65 (1957): 565-586.   

Watanabe, Shinji. "Emily Dickinson, '712': Ren'aishi to shite yomu." Eigo Seinen/Rising Generation 149.8 (Nov. 2003): 484-485.

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Waugh, Dorothy. "A Dickinson Delay." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 78 (1991): 22-26.

---. "Dickinson's 'Those Not Live Yet'." Explicator 25 (1957).   

Wegelin, Christof. "Dickinson's 'Wild Nights'." Explicator 26 (1967).   

Weisbuch, Robert. “Prisming Dickinson, or Gathering Paradise by Letting Go.” The Emily Dickinson Handbook. Ed. G. Grabher, R. Hagenbüchle, and C. Miller. Amherst, MA: U of Massachusetts P, 1998. 197–223.

---. "Nobody's Business: Dickinson's Dissolving Audience." Dickinson and Audience. 57-76. Ann Arbor, MI: U of Michigan P, 1996.

---. "Whitman and Dickinson." American Literary Scholarship: An Annual (1983): 79-96.   

---. "Compound Vision: Emily Dickinson's Poetic Strategies and Patterns." Dissertation Abstracts International 33 (1973): 3680A-3680A.   

Weissman, Judith. "'Transport's working classes': Sanity, Sex, and Solidarity in Dickinson's Late Poetry." Midwest Quarterly: A Journal of Contemporary Thought 29.4 (Summer 1988): 407-424.

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---. "On Emily Dickinson." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 51 (1984): 17-19.

---. "Note on Higginson's Reputation." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 51 (1984): 20-21.

---. "ED Forgeries." Dickinson Studies: Emily Dickinson (1830-86), US Poet 35 (1979): 12-16.   

---. "Was Emily Dickinson Psychotic?." American Imago: Studies in Psychoanalysis and Culture 19 (1962): 309-321.   

---. "Early Criticism of Emily Dickinson." American Literature: A Journal of Literary History, Criticism, and Bibliography 1.3 (Nov. 1929): 243-259.   

Wells, Carlton F., et al. "(Dickinson.)." Emily Dickinson Bulletin 12-15 (1970).   

Werge, Thomas. "'Checks' in 'I Never Saw a Moor'." American Notes and Queries 12 (1974): 101-102.   

Werner, Marta L. "Emily Dickinson's Futures: Enjambment Degree Zero." Jubilat 11 (2006): 102-119.

---, and Katie Chaple, Dave Higginbotham, Michelle Newcome, and Rebecca Harrison. A Nosegay to Take to Battle: The Civil War Wounding of Emily Dickinson. 1 Sept. 2005.

---. "The Flights of A 821: Dearchivizing the Proceedings of a Birdsong." Voice, Text, Hypertext: Emerging Practices in Textual Studies. 298-329. New York, NY: Palgrave Macmillan, 2004.

---. "The Flights of A 821: Dearchivizing the Proceedings of a Birdsong." Chain 6 (Summer 1999): 240-254.

---. Radical Scatters: An Electronic Archive of Emily Dickinson's Late Fragments (U of Michigan P, 1999).

---. "'Most Arrows': Autonomy and Intertextuality in Emily Dickinson's Late Fragments." Text: An Interdisciplinary Journal of Textual Studies 10 (1997): 41-72.

---. "Charlotte Brontë, Emily Dickinson, and the Tropes of Mastery." Profils Américains 8 (1996): 49-80.

---. "Divinations: Emily Dickinson's Scriptive Economies." A Poetics of Criticism. 87-96. Buffalo: Leave, 1994.

---. "Quires of Light. Emily Dickinson: Scenes of Reading, Surfaces of Writing." Dissertation Abstracts International 54.6 (Dec. 1993): 2154A-2154A.

---. "A Nosegay to Take to Battle: The Civil War Wounding of Emily Dickinson." (n.d.).  

---. "'The Soul's Distinct Connection-': Emily Dickinson, Photography, and 19th Century American Culture." (n.d.).     

--. "Writing Otherwise: Emily Dickinson and the Scenes/Surfaces of Writing." (n.d.).

West, Michael. "Emily Dickinson's Ambrosian Nights with Christopher North." Harvard Library Bulletin 5.1 (Spring 1994): 67-71.

---. "No Common Parlance: Recent Linguistic Approaches to Nineteenth-Century American Authors." Review 12 (1990): 53-67.

---. "Shakespeare Allusion in Emily Dickinson." American Notes and Queries 10 (1971): 51-51.   

West, Rex Alan. "Emily Dickinson: Imagist." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 84 (1993): 26-35.

Wheatcroft, John. "'Holy Ghosts in Cages': A Serious View of Humor in Emily Dickinson's Poetry." American Transcendental Quarterly: A Journal of New England Writers 22 (1974): 95-104.   

---. "Emily Dickinson's White Robes." Criticism: A Quarterly for Literature and the Arts 5 (1963): 135-147.   

---. "Emily Dickinson's Poetry and Jonathan Edwards on the Will." Bucknell Review: A Scholarly Journal of Letters, Arts and Sciences 10 (1961): 102-127.   

---. "Emily Dickinson and the Orthodox Tradition." Dissertation Abstracts 21 (1960): 1186-1186.   

Wheeler, Lesley. "The Poetics of Enclosure: Emily Dickinson, Marianne Moore, H. D., and Gwendolyn Brooks." Dissertation Abstracts International 55.7 (Jan. 1995): 1959A-1959A.

Whelan, Ann. "After a Hundred Years: The Mythologizing of Emily Dickinson." Dissertation Abstracts International 52.3 (Sep. 1991): 922A-922A.

Whicher, George S. "The Deliverance of Emily Dickinson, One of America's Greatest Poets." New York Herald-Tribune Book Review 26 (13 Aug. 1950): 2.   

---. "In Emily Dickinson's Garden." Atlantic Monthly 177 (1946): 64-70.   

---. "A Chronological Grouping of Some of Emily Dickinson's Poems." Colophon: A Book Collectors' Quarterly 16 (1934): 16-16.   
                                                                               
---. "Emily Dickinson's Earliest Friend." American Literature: A Journal of Literary History, Criticism, and Bibliography 6.1 (Mar. 1934): 3-17.   

Whicher, Stephen. "Dickinson's 'Elysium Is As Far As To'." Explicator 19 (1961).   

White, Fred D. "Emily Dickinson's Existential Dramas." The Cambridge Companion to Emily Dickinson. Ed. Martin, Wendy. Cambridge, MA: Cambridge Univ. Press, 2002.

---. "'The Sun Proceeds Unmoved': Dickinson's Circumference as a Context for Jeffer's Inhumanism." South Dakota Review 34.3 (Fall 1996): 49-58.

---. "'Sweet Skepticism of the Heart': Science in the Poetry of Emily Dickinson." College Literature 19.1 (Feb. 1992): 121-128.
                                                                                  
White, James Boyd. "Reading Texts, Reading Traditions: African Masks and American Law." Yale Journal of Law & the Humanities 12.1 (Winter 2000): 117-127.

---. "Imagining the Law." The Rhetoric of Law. 29-55. Ann Arbor, MI: U of Michigan P, 1994.

White, Melissa. "Letter to the Light: Discoveries in Dickinson's Correspondence." Emily Dickinson Journal 16.1 (2007): 1-26.

White, William. "Emily Dickinson: A Current Bibliography." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 61 (1987): 8-22.

---. "Emily Dickinson: A Current Bibliography." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 57; 59 (1986): 41-45.

---. "Emily Dickinson: Bibliography for 1981-1984." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 54 (1984): 3-25.

---. "British Reception of ED: Two Notes." Higginson Journal 21 (1979): 29-31.   

---. "Dickinson's Biography and Criticism of Her Art." Dickinson Studies: Emily Dickinson (1830-86), US Poet 30 (1976): 66-75.   

---. "Emily Dickinson's An Amazing Sense: Addendum to Buckingham." Papers of the Bibliographical Society of America 68 (1974): 66-67.   

---, Jay Leyda,and George Monteiro. "Two 'Uncollected' Poems." Emily Dickinson Bulletin 23 (1973): 168-168.   

---, and Josiah Q. Bennett. "Emily Dickinson's Poems: Third Series: A Bibliographical Note." Serif 9.2 (1972): 37-41.   

---. "The Tyranny of Book Collecting: Emily Dickinson." American Book Collector 21.1 (1970): 9-9.   

---. "Emily Dickinsoniana: An Annotated Checklist of Books About the Poet." Bulletin of Bibliography 26 (1969): 100-104.    

---, et al. "(Dickinson.)." Emily Dickinson Bulletin 8-11 (1969).   

---. "Nostalgia Revisited. The Emily Dickinson Industry." American Book Collector 19.5 (1969): 27-28.   

---. "What Is a Collector's Item: Emily Dickinson, Edwin Arlington Robinson, D. H. Lawrence? (An Essay in the Form of a Bibliography)." American Book Collector 6.10 (1956): 6-8.   

---. "Homage to Emily Dickinson: Tributes by Creative Artists." Bulletin of Bibliography, and Dramatic Index 20 (1952): 112-115.   

---, and C. R. Green. "Homage to Emily Dickinson." Bulletin of Bibliography 20 (1951): 112-115.

---. "Two Unlisted Emily Dickinson Poems." Colby Library Quarterly 3 (1948): 69-70.   

Whittle, Amberys R. "Second Opinion: Diagnosing ED." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 52 (1984): 22-31.

Wider, Sarah Ann. "Emily Dickinson." The American Renaissance in New England: Second Series. 103-127. Detroit, MI: Gale, 2000.

---. "Corresponding Worlds: The Art of Emily Dickinson's Letters." The Emily Dickinson Journal 1.1 (1992): 19-38.

Wieland, Elizabeth Ann. "Myself the Term Between: Emily Dickinson and the Poetry of Mediation." Dissertation Abstracts International 50.1 (July 1989): 142A-142A.

Wienold, Gotz. "Some Aspects of Meaning in Literature." Dispositio: Revista Hispanica de Semiotica Literaria 3 (1978): 127-135.   

Wilbur, Richard. "'Sumptuous Destitution'." Emily Dickinson: A Collection of Critical Essays. 53-61. Upper Saddle River: Prentice Hall, 1996.

---. "The Initial Response." Single Hound: The Poetry and Image of Emily Dickinson 2.2 (Dec. 1990): 2-2.

---, and Ludmila Marjanska. "'Zbytkowny niedostatek'." Dialog: Miesiecznik Poswiecony Dramaturgii Wspolczesnej: Teatralnej, Filmowej, Radiowej, Telewizyj 26.11 [307] (Nov. 1981): 80-86.    

Wilder, Thornton. "Emily Dickinson." Atlantic Monthly 190 (1952): 43-48.   

Willard, Nancy. "Questioning the Pilgrim." Field: Contemporary Poetry and Poetics 55 (Fall 1996): 9-11.

Williams, David R. "'This Consciousness That Is Aware': Emily Dickinson in the Wilderness of the Mind." Soundings: An Interdisciplinary Journal 66.3 (Fall 1983): 360-381.   

Williams, JoAnne De Lavan. "Spiders in the Attic: A Suggestion of Synthesis in the Poetry of Emily Dickinson." Dickinson Studies: Emily Dickinson (1830-86), US Poet 29 (1976): 21-29.   

Williams, Melvin G. "I.A. Richards on Dickinson: A Conjecture." Dickinson Studies: Emily Dickinson (1830-86), US Poet 26 (1974): 61-63.   

---. "I.A. Richards on Dickinson: A Conjecture." Emily Dickinson Bulletin 26 (1974): 61-63.   

Williams, Paul O. "Dickinson's 'One Day Is There of the Series'." Explicator 23 (1964).   

Williams, Sherri. "'Omitted Centers': Dickinson's Metonymic Strategy." San Jose Studies 13.3 (Fall 1987): 26-36.

Willy, Margaret. "The Poetry of Emily Dickinson." Essays and Studies 10 (1957): 91-104.   

Wilner, Eleanor. "The Poetics of Emily Dickinson." ELH 38.1 (Mar. 1971): 126-154.   

Wilson, Eric. "Dickinson's Chemistry of Death." American Transcendental Quarterly 12.1 (Mar. 1998): 27-43.

Wilson, R. J., and Robert A. Gross. "Intellectuals and Society in Western Massachusetts: Emily Dickinson and the Problem of Career." Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs 20 (1979): 451-461.   

Wilson, Suzanne M. "Emily Dickinson and Twentieth-Century Poetry of Sensibility." American Literature: A Journal of Literary History, Criticism, and Bibliography 36 (1964): 349-358.   

---. "Structural Patterns in the Poetry of Emily Dickinson." American Literature: A Journal of Literary History, Criticism, and Bibliography 35.1 (Mar. 1963): 53-59.   

---. "Structure and Imagery Patterns in the Poetry of Emily Dickinson." Dissertation Abstracts 20 (1960): 3286-3287.   

Wilt, Judith. "Emily Dickinson : Playing House." boundary 2, 12.2, On Feminine Writing: A Boundary 2 Symposium (Winter 1984) 153-169
http://www.jstor.org/pss/302887

Wilton, Raymond Gilbert. "Self-Deconstructing Lyric: Coleridge, Dickinson, Williams and Webb." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 57.8 (Feb. 1997): 3514-3514.

Wineapple, Brenda. "The Politics of Politics; or, How the Atomic Bomb Didn't Interest Gertrude Stein and Emily Dickinson." South Central Review 23.3 (2006) 37-45
http://muse.jhu.edu/login?uri=/journals/south_central_review/v023/23.3wineapple.html

Winhusen, Steven. "Emily Dickinson and Schizotypy." Emily Dickinson Journal 13.1 (2004): 77-96.

Winniford, Lee. "Disengagement from Process in ED's 712." Dickinson Studies: Emily Dickinson (1830-86), U.S. Poet 83 (1992): 38-48.

Winther, Per. "On Editing Emily Dickinson." American Studies in Scandinavia 11.1 (1979): 25-40.   

Witherington, Paul. "The Neighborhood Humor of Dickinson's 'The Soul Selects Her Own Society'." Concerning Poetry 2.2 (1969): 5-9.   

---. "Dickinson's ''Faith' Is a Fine Invention'." Explicator 26 (1968).   

Wohlpart, A. James. "A New Redemption: Emily Dickinson's Poetic in Fascicle 22 and 'I Dwell in Possibility'." South Atlantic Review 66.1 (Winter 2001): 50-83.
                                                          
Wolff, Cynthia Griffin. "Emily Dickinson." The Columbia History of American Poetry. 121-147. New York: Columbia UP, 1993.

---. "(Im)pertinent Constructions of Body and Self: Dickinson's Use of the Romantic Grotesque." The Emily Dickinson Journal 2.2 (1993): 109-123.

---. "Emily Dickinson, Elizabeth Cady Stanton, and the Task of Discovering a Usable Past." Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs 30.4 (Winter 1989): 629-644.

---. "The Women in My Life." Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs 24.2 (Summer 1983): 438-452.   

---. "Dickinson's 'Much madness is divinest sense'." Explicator 36.4 (1978): 3-4.   

Wolosky, Shira. "Emily Dickinson: Reclusion against Itself." Common Knowledge - Volume 12, Issue 3, Fall 2006, pp. 443-459
http://commonknowledge.dukejournals.org/cgi/content/citation/12/3/443

---. "Public and Private in Dickinson's War Poetry." A Historical Guide to Emily Dickinson. 103-131. Oxford, England: Oxford UP, 2004.

---. “Public and Private in Dickinson’s War Poetry.” A Historical Guide to Emily Dickinson. Ed. Vivian Pollak. New York: Oxford UP, 2004. 103–31.

---. "Emily Dickinson: Being in the Body." The Cambridge Companion to Emily Dickinson. Ed. Martin, Wendy. Cambridge, MA: Cambridge Univ. Press, 2002.

---. "Dickinson's Emerson: A Critique of American Identity." Emily Dickinson Journal 9.2 (2000): 134-141.

---. "The Metaphysics of Language in Emily Dickinson (as Translated by Paul Celan)." Trajectories of Mysticism in Theory and Literature. 25-45. Basingstoke, England; New York, NY: Macmillan; St. Martin's, 2000.

---. "Emily Dickinson's Manuscript Body: History/Textuality/Gender." Emily Dickinson Journal 8.2 (1999): 87-99.

---. "Rhetoric or Not: Hymnal Tropes in Emily Dickinson and Isaac Watts." New England Quarterly: A Historical Review of New England Life and Letters 61.2 (June 1988): 214-232.

---. "Emily Dickinson's War Poetry." Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs 25.1 (Spring 1984): 22-41.

---. "Linguistic Poetics: Literary Responses to Modern Cultural Crisis." Dissertation Abstracts International 41.10 (Apr. 1981): 4391A-4391A.   

Wolpaw, Jim. "Loaded Gun": Life and Death and Dickinson, 2002. Documentary Film. Writer/Director: Jim Wolpaw; Co-Producer: Steve Gentile. Includes appearances by Julie Harris, Billy Collins, and others. Film shown at the EDIS meeting in Amherst this July. Website under construction: www.dickinsonfilm.com.

Woodbridge, Hensley C. "ED and the Hispanic-Speaking World." Emily Dickinson Bulletin 5 (1968): 1-4.   

Woodley, Priscilla. "Nineteen Settings of Five Emily Dickinson Poems by Thirteen Composers." Dissertation Abstracts International 44.5 (Nov. 1983): 1457A-1457A.

Woodman, Marion. "Emily Dickinson and the Daimon Lover." Spring: A Journal of Archetype and Culture 70 (Spring 2004): 39-56.

Woodress, James. "Emily Dickinson." Fifteen American Authors before 1900: Bibliographical Essays on Research and Criticism. 185-229. Madison: U of Wisconsin P, 1984.

---. "Emily Dickinson." Fifteen American Authors Before 1900:Bibliographic Essays on Research and Criticism. 139-168. Madison: U. of Wis. P, 1971.   

Woods, Lucia. "Emily Dickinson: A Portfolio." Prairie Schooner 51.4 (1977-1978 1977): 323-386.   

Wortman, Marc. "The Place Translation Makes: Celan's Translation of Dickinson's 'Four Trees-upon a Solitary Acre-'." Acts: A Journal of New Writing 8-9 (1988): 130-143.

Wright, Franz. "Homages: Emily Dickinson." Field: Contemporary Poetry and Poetics 55 (Fall 1996): 32-38.

Wright, Nathalia. "Emily Dickinson's Boanerges and Thoreau's Atropos: Locomotives on the Same Line?." Modern Language Notes 72.2 (Feb. 1957): 101-103.   

Wurst, Gayle. "'We See-Comparatively-': Reading Rich/Reading Plath/Reading Dickinson." Profils Américains 8 (1996): 101-125.

Wylder, Edith. "Emily Dickinson's Punctuation: The Controversy Revisited." American Literary Realism 36.3 (Spring 2004): 206-224.

---. "The Speaker of Emily Dickinson's 'My Life Had Stood-a Loaded Gun'." Bulletin of the Rocky Mountain Modern Language Association 23.1 (Mar. 1969): 3-8.   

---. "The Voice of the Poet: Selected Poems of Emily Dickinson with an Introduction to the Rhetorical Punctuation of Manuscripts." Dissertation Abstracts: Section A. Humanities and Social Science 28 (1968): 4194A-4195a.   

Yamada, Aoi. "On the 'Hill of Science': A Comparative Study of Emily Dickinson's Poetry and Mount Holyoke Textbooks." Dissertation Abstracts International, Section C: Worldwide 60.4 (1999).

Yamamoto, Shuji. "Emily Dickinson: Personand Poetry." Kyusha American Literature 3 (May 1960): 15-20.   

Yetman, Michael G. "Emily Dickinson and the English Romantic Tradition." Texas Studies in Literature and Language: A Journal of the Humanities 15 (1973): 129-148.   

Yin, Joanna. "Wild Nights and White Nights: Dickinson's Vision of the Poet in Anna Akhmatova." The Emily Dickinson Journal 5.2 (1996): 53-58.

---. "Regenerating the Argument: Representation of Women in Puritan Literature." Dissertation Abstracts International 56.10 (Apr. 1996): 3968A-3968A.

Yin, Joanna. "'Arguments of Pearl': Dickinson's Response to Puritan Semiology." The Emily Dickinson Journal 2.1 (1993): 65-83.

Yoshikawa, Takao. "Emily Dickinson Enshu: Sono Shi no Miryoku." Eigo Seinen 130 (1984): 439-441.

Young, Alexander. “Boston Letter.” Critic n.s. 14 (2 August 1890): 60. Rpt. in Emily Dickinson’s Reception in the 1890s: A Documentary History. Ed. Willis J. Buckingham. Pittsburgh: U of Pittsburgh P, 1989. 3.

Young, David. "Electric Moccasins." Field: Contemporary Poetry and Poetics 55 (Fall 1996): 40-47.

Yu, Yixun. "[Emily Dickinson and Her Poems]." Wai guo yu/Journal of Foreign Languages 3.67 (June 1990): 24-27.

Yukman, Claudia. "Breaking the Eschatological Frame: Dickinson's Narrative Acts." The Emily Dickinson Journal 1.1 (1992): 76-94.

---. "Speaking to Strangers: Dickinson's and Whitman's Poetics of Historical Presence." Dissertation Abstracts International 47.1 (July 1986): 184A-184A.

Yun, Hee-Whan. "'This World Is Not Conclusion': A Study on Emily Dickinson's 'Death Poems'." The Journal of English Language and Literature 36.4 (Winter 1990): 617-626.

Zapedowska, Magdalena. "A Lesson in Grammar: Dickinson's 'Grasped by God' and 'Drowning Is Not So Pitiful'." Emily Dickinson Journal 15.1 (2006): 16-34.

---. "Fraser Fallon Scholar in Amherst Report." Emily Dickinson International Society Bulletin 17.2 (Nov. 2005): 8

---. "Citizens of Paradise: Dickinson and Emmanuel Levinas's Phenomenology of the Home." Emily Dickinson Journal 12.2 (2003): 69-92.

---. "The Event of Interiority: Dickinson and Emmanuel Levinas's Phenomenology of the Home." American Studies 20 (2003): 113-128.

---. "The Transparent and the Opaque: Reading Nature by Emerson, Mickiewicz, and Dickinson." American Studies 18 (1999): 59-65.

---. "Spatial Relationships in Emily Dickinson's Poetry." Studia Anglica Posnaniensia: An International Review of English Studies 34 (1999): 381-401.

Zhang, Xuemei. "Aimili Dijinsen dui chao yan zhu yi zi ran guan de zai ding yi." Foreign Literature Studies/Wai Guo Wen Xue Yan Jiu 6.116 (Dec. 2005): 64.

Zhou, Pufang, and Xiaohong Yang. "[The Linguistic Structure of Poetry and Its Resistance against Translation]." Wai guo yu/Journal of Foreign Languages 6.112 (Nov. 1997): 61-68.

Zolla, Elemire. "L'Etica Puritana in Emily Dickinson." Studi Americani 8 (1962): 55-70.   

Zuckerman, Marvin. "Dickinson in Yiddish." Emily Dickinson Journal 6.2 (1997): 67-72.

ACKNOWLEDGMENTS

The editors wish to thank Margaret Freeman and Sarah Whitworth for their contributions to this Dynamic Bibliography and welcome suggestions from readers/users.