Received: from mgmt.utoronto.ca (fmgmt.mgmt.utoronto.ca [128.100.43.253]) by mail3.texas.net (8.8.7/8.8.5) with SMTP id JAA02338 for ; Tue, 17 Feb 1998 09:21:55 -0600 (CST) Received: by mgmt.utoronto.ca (5.65v3.2/1.1.10.7/26Jan98-0432AM) id AA08234; Tue, 17 Feb 1998 10:18:16 -0500 From: LouisFors@aol.com Message-Id: <7ca2b714.34e9aa2e@aol.com> Date: Tue, 17 Feb 1998 10:18:04 EST To: emweb@fmgmt.mgmt.utoronto.ca Mime-Version: 1.0 Subject: Jinpeng's question to Mr. Kik X-Mailer: AOL 3.0 for Windows 95 sub 49 Sender: owner-emweb@fmgmt.mgmt.utoronto.ca Precedence: bulk Reply-To: emweb@fmgmt.mgmt.utoronto.ca Content-Type: multipart/mixed; boundary="part0_887728684_boundary" X-UIDL: 9955fa08052982b28ed7d5f8cff43cf6 Mr. Willard A Kik: I'm eager to learn a response to Jinpeng's question, as contained in the "forward" below. I'm a doubter about the poetic forms Mr. Kik attributes to ED, but I'm also a neophyte in these matters and would like to learn. Or have I failed to see a reply? Can anyone else answer Jinpeng's question? Louis Forsdale Return-Path: Received: from relay14.mail.aol.com (relay14.mail.aol.com [172.31.109.14]) by air13.mail.aol.com (v38.1) with SMTP; Mon, 16 Feb 1998 10:05:29 -0500 Received: from mgmt.utoronto.ca (fmgmt.mgmt.utoronto.ca [128.100.43.253]) by relay14.mail.aol.com (8.8.5/8.8.5/AOL-4.0.0) with SMTP id KAA06430; Mon, 16 Feb 1998 10:05:16 -0500 (EST) Received: by mgmt.utoronto.ca (5.65v3.2/1.1.10.7/26Jan98-0432AM) id AA20078; Mon, 16 Feb 1998 09:58:23 -0500 Message-Id: <34E91258.8622958E@public.hr.hl.cn> Date: Mon, 16 Feb 1998 20:30:16 -0800 From: Jinpeng Bai X-Mailer: Mozilla 4.01 [en] (Win95; I; 16bit) To: emweb@fmgmt.mgmt.utoronto.ca Subject: Re: your mail X-Priority: 3 (Normal) References: Sender: owner-emweb@fmgmt.mgmt.utoronto.ca Precedence: bulk Reply-To: emweb@fmgmt.mgmt.utoronto.ca Mime-Version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7bit Willard A. Kik wrote: > Also, remember to pay attention > to the structure (mechanics). Dickinson has been known to do things like > having having every stanza contain 7 lines in order to symbolize the days > of the week in a poem about the passing of time. Another cool one she did > is that she had 5 lines in a stanza with each one getting slightly shorter > in order to look like a human rib cage, this is because the poem was about > the crucifixion of Christ and Christ had been stabbed under the 5th rib. Could you provide the numbers of these two poems or their first lines? Jinpeng