Received: from mgmt.utoronto.ca (fmgmt.mgmt.utoronto.ca [128.100.43.253]) by mail2.texas.net (8.8.8/2.4) with SMTP id OAA13143 for ; Mon, 23 Feb 1998 14:53:29 -0600 (CST) Received: by mgmt.utoronto.ca (5.65v4.0/1.1.10.7/26Jan98-0432AM) id AA06396; Mon, 23 Feb 1998 15:47:42 -0500 From: LouisFors@aol.com Message-Id: Date: Mon, 23 Feb 1998 15:45:57 EST To: emweb@fmgmt.mgmt.utoronto.ca Mime-Version: 1.0 Subject: Hymns and ED's indirection Content-Transfer-Encoding: 7bit X-Mailer: AOL 3.0 for Windows 95 sub 49 Sender: owner-emweb@fmgmt.mgmt.utoronto.ca Precedence: bulk Reply-To: emweb@fmgmt.mgmt.utoronto.ca Content-Type: text/plain; charset=US-ASCII X-UIDL: 2bbfce4a82dae7d39d4e9a648d48a7bb I have not followed the thread of the relationship between hymns and Dickinson"s poetry as closely as I should have. But a thought has come to me. Even if Dickinson knew hymns of her day, particularly those of Issac Watts, that knowledge would have translated primarily (only?) into rhythmic matters in her poetry. I assume that the hymns being sung in church were clearly understood by churchgoers, although I'm aware that the rhythmic beat carried the hymn forward. (The only difficulty I had with hymns when I was a kid was understanding certain terms. But those understandings could be cleared up by talking to the Sunday school teacher. Meanings were not intentionally obscure.) On the other hand, most of ED's poems are loaded with indirection, with voids that require real work on the part of the reader/listener. I don't mean to dismiss the importance of rhythm, but if one got that quality right (if one could sing ED's poems to certain tunes, for example) that would not greatly clarify her meanings. She demanded the reader/listener to work very hard, digging around for possibilities, experimenting, often endlessly, with lexicon, juxtapositions, etc. A thought, inviting reaction, Louis Forsdale I repeat that I have not followed the hymn thread as closel