Received: from mgmt.utoronto.ca (fmgmt.mgmt.utoronto.ca [128.100.43.253]) by mail1.texas.net (8.8.8/2.4) with SMTP id TAA21034 for ; Mon, 23 Mar 1998 19:38:09 -0600 (CST) Received: by mgmt.utoronto.ca (5.65v4.0/1.1.10.7/26Jan98-0432AM) id AA13103; Mon, 23 Mar 1998 20:32:20 -0500 From: LouisFors Message-Id: <6b92a4c9.35170d21@aol.com> Date: Mon, 23 Mar 1998 20:32:15 EST To: emweb@fmgmt.mgmt.utoronto.ca Mime-Version: 1.0 Subject: ED's withdrawal Content-Transfer-Encoding: 7bit X-Mailer: AOL 3.0 for Windows 95 sub 49 Sender: owner-emweb@fmgmt.mgmt.utoronto.ca Precedence: bulk Reply-To: emweb@fmgmt.mgmt.utoronto.ca Content-Type: text/plain; charset=US-ASCII X-UIDL: a15831e37c53098ca642713f46ec7612 Seeking indulgence from old ED hands, I report a personal discovery, which serves as clarification for me of ED's withdrawal from much of face-to-face socialization. I've come upon an article by Roger Shattuck in the June 20, 1996 The New York Review of Books. Titled "Emily Dickinson's Banquet of Absetmiousness," the article lays out an _intellectual rationale_ for ED's "self restraint and withdrawal," aided no doubt by personal events. Shattuck speaks of a probably strategic decision by ED to distance hereself from the sensations of face-to- face contact (a phrase he does not use), saying "She decides to place her faith in the picture she can represent in her mind rather than to seek fuller or more intimate knowledge of the other person." Shattuck quotes two of ED's poems which "counsel not against desire but against yielding to desire without fully consulting the soul's scruples. A reasonable asceticism contributes to aesthetic delectation of life." The poems are # 421 and #1430. 421 A Charm invests a face Imprefectly beheld-- The Lady dare not lift her Veil For fear it be dispelled -- But peers beyond her mesh -- And wishes -- and denies -- Lest Interview -- annul a want That Image -- satisfies -- A brief explication of 421 by Shattuck notes "Looking through her veil, a woman feels deeply drawn by the almost magical beauty of another person, for whom she, thus concealed, may herself exert a powerful charm. She decides to place her faith in the picture she can represent in her mind rather than seek fuller or more intimate knowledge of the other person." I'll not present # 1430 here because, If I read my screen properly, there isn't room. It's a good one, of course, and leads one into all kinds of mental asking to arrive at a reasonable reading. I imagine Shattuck's reading of ED's withdrawal as (after many distresses) to pull back into the kind of contemplation that would suit her personality and her poetry best has been expressed many times elswhere. I just haven't found it elsewhere. I like this view of ED: No crazy woman in the attic here, no pitty patting child, no hand wringing virgin, just somebody who gradually made an intellectual decision that she serves herself and others best by reflective removal, by accepting greater asceticism. Louis Forsdale