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"In words, as fashions, the same rule will hold,
Alike fantastic, if too new or old;
Be not the first by whom the new are tried,
Nor yet the last to lay the old aside."

While you utterly shun slang, whether native- or foreign-born,--(at present, by the way, our popular writers use far less slang than English,)--yet do not shrink from Americanisms, so they be good ones. American literature is now thoroughly out of leading-strings; and the nation which supplied the first appreciative audience for Carlyle, Tennyson, and the Brownings, can certainly trust its own literary instincts to create the new words it needs. To be sure, the inelegancies with which we are chiefly reproached are not distinctively American: Burke uses "pretty considerable"; Miss Burney says, "I trembled a few"; the English Bible says "reckon," Locke has "guess," and Southey "realize," in the exact senses in which one sometimes hears them used colloquially here. Nevertheless such improprieties are of course to be avoided; but whatever good Americanisms exist, let us hold to them by all means. The diction of Emerson alone is a sufficient proof, by its unequalled range and precision, that no people in the world ever had access to a vocabulary so rich and copious as we are acquiring. To the previous traditions and associations of the English tongue we add resources of contemporary life such as England cannot rival. Political freedom makes every man an individual; a vast industrial activity makes every man an inventor, not merely of labor-saving machines, but of labor-saving words; universal schooling popularizes all thought and sharpens the edge of all language. We unconsciously demand of our writers the same dash and the same accuracy which we demand in railroading or dry-goods- jobbing. The mixture of nationalities is constantly coining and exchanging new felicities of dialect: Ireland, Scotland, Germany, Africa are present everywhere with their various contributions of wit and shrewdness, thought and geniality; in New York and elsewhere one finds whole thoroughfares of France, Italy, Spain, Portugal; on our Western railways there are placards printed in Swedish; even China is creeping in. The colonies of England are too far and too provincial to have had much reflex influence on her literature, but how our phraseology is already amplified by our relations with Spanish-America! The life-blood of Mexico flowed into our newspapers while the war was in progress; and the gold of California glitters in our primers. Many foreign cities may show a greater variety of mere national costumes, but the representative value if our immigrant tribes is far greater from the very fact that they merge their mental costume in ours. Thus the American writer finds himself among his phrases like an American sea-captain amid his crew: a medley of all nations, waiting for the strong organizing New-England mind to mould them into a unit of force.

There are certain minor matters, subsidiary to elegance, if not elegancies, and therefore worth attention. Do not habitually prop your sentences on crutches, such as Italics and exclamation points, but make them stand without aid; if they cannot emphasize themselves, these devices are commonly but a confession of helplessness. Do not leave loose ends as you go, straggling things, to be caught up and dragged along uneasily in foot-notes, but work them all in neatly, as Biddy at her bread-pan gradually kneads in all the outlying bits of dough, till she has one round and comely mass.