"AN ELEMENT OF BLANK": ON PAIN AND EXPERIMENTATION by Cynthia Hogue
Page 6 As all the orienting markers by which I knew myself dissolved, moreover, and I no longer had any sense of myself except through a few labels (which had once seemed so internalized but were revealed to me as external labels only--"teacher," "writer"), I found myself changed and humbled. As I had to let go of all hopes of normative action, I also had to release that old and vanished self. The process became for me, in the way of other traumatizing experiences, transformative:IN A MUTE SEASONCall it a spiritual or ethical journey--or perhaps, Julia Kristeva's notion of "herethics" is most apt, since in order to write at all, I had to find new ways of writing (for there was no longer a "self" to express). Of the "herethical" function of art, Kristeva writes: "a[n artistic] practice is ethical when it dissolves those narcissistic fixations (ones that are narrowly confined to the subject) to which the signifying process succumbs in its socio-symbolic realization." For Kristeva, this "practice" of "dissolving . . . the unity of the subject" is ethical because it resists an other-denying self-absorption that some would argue is exemplified by the unified and monologic subject which dominates lyric tradition. 10
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