LOOKING IN THE MIRROR: WHAT EMILY AND I SHARE
by Carolyn Kizer

Page 5

PRO FEMINA, PART II

I take as my theme "The Independent Woman,"
Independent but maimed: observe the exigent neckties
Choking violet writers; the sad slacks of stipple-faced matrons;
Indigo intellectuals, crop-haired and callous-toed,
Cute spectacles, chewed cuticles, aced out by full-time beauties
In the race for a male. Retreating to drabness, bad manners
And sleeping with manuscripts. Forgive our transgressions
Of old gallantries as we hitch in chairs, light our own cigarettes,
Not expecting your care, having forfeited it by trying to get even.

But we need dependency, cosseting and well-treatment.
So do men sometimes. Why don't they admit it?
We will be cows for a while, because babies howl for us,
Be kittens or bitches, who want to eat grass now and then
For the sake of our health. But the role of pastoral heroine
Is not permanent, Jack. We want to get back to the meeting.

Knitting booties and brows, tartars or termagents, ancient
Fertility symbols, chained to our cycle, released
Only in part by devices of hygiene and personal daintiness,
Strapped into our girdles, held down, yet uplifted by man's
Ingenious constructions, holding coiffures in a breeze,
Hobbled and swathed in whimsey, tripping on feminine
Shoes with fool heels, losing our lipsticks, you, me,
In ephemeral stockings, clutching our handbags and packages.

Our masks, always in peril of smearing or cracking,
In need of continuous check in the mirror or silverware,
Keep us in thrall to ourselves, concerned with our surfaces.
Look at man's uniform drabness, his impersonal envelope!
Over chicken wrists or meek shoulders, a formal, hard-fibered assurance.
The drape of the male is designed to achieve self-forgetfulness.

So, Sister, forget yourself a few times and see where it gets you:
Up the creek, alone with your talent, sans everything else.
You can wait for the menopause, and catch up on your reading.
So primp, preen, prink, pluck and prize your flesh,
All posturings! All ravishment! All sensibility!
Meanwhile, have you used your mind today?
What pomegranate raised you from the dead,
Springing, full-grown, from your own head, Athena?


PART III

I will speak about women of letters, for I'm in the racket.
Our biggest successes to date? Old maids to a woman.
And our saddest conspicuous failures? The married spinsters
On loan to the husbands they treated like surrogate fathers.
Think of that crew of self-pitiers, not-very-distant,
Who carried the torch for themselves and got first-degree burns.
Or the sad sonneteers, toast-and-teasdales we loved at thirteen;
Middle-aged virgins seducing the puerile anthologists
Through lust-of-the-mind; barbiturate-drenched Camilles
With continuous periods, murmuring softly on sofas
When poetry wasn't a craft but a sickly effluvium,
The air thick with incense, musk, and emotional blackmail.

I suppose they reacted from an earlier womanly modesty
When too many girls were scabs to their stricken sisterhood,
Impugning our sex to stay in good with the men,
Commencing their insecure bluster. How they must have swaggered
When women themselves endorsesd their own inferiority!
Vestals, vassals and vessels, rolled into several,
They took notes in rolling syllabics, in careful journals,
Aiming to please a posterity that despises them.
But we'll always have traitors who swear that a woman surrenders
Her Supreme Function, by equating Art with aggression
And failure with Femininity. Still, it's just as unfair
To equate Art with Femininity, like a prettily-packaged commodity
When we are the custodians of the world's best-kept secret:
Merely the private lives of one-half of humanity.

But even with masculine dominance, we mares and mistresses
Produced some sleek saboteuses, making their cracks
Which the porridge-brained males of the day were too thick to perceive,
Mistaking young hornets for perfectly harmless bumblebees.
Being thought innocuous rouses some women to frenzy;
They try to be ugly by aping the ways of the men
And succeed. Swearing, sucking cigars and scorching the bedspread,

Slopping straight shots, eyes blotted, vanity-blown
In the expectation of glory: she writes like a man!
This drives other women mad in a mist of chiffon.
(One poetess draped her gauze over red flannels, a practical feminist.)

But we're emerging from all that, more or less,
Except for some lady-like laggards and Quarterly priestesses
Who flog men for fun, and kick women to maim competition.
Now, if we struggle abnormally, we may almost seem normal;
If we submerge our self-pity in disciplined industry;
If we stand up and be hated, and swear not to sleep with editors;
If we regard ourselves formally, respecting our true limitations
Without making an unseemly show of trying to unfreeze our assets;
Keeping our heads and our pride while remaining unmarried;
And if wedded, kill guilt in its tracks when we stack up the dishes
And defect to the typewriter. And if mothers, believe in the luck of our
    children,
Whom we forbid to devour us, whom we shall not devour,
And the luck of our husbands and lovers, who keep free women.

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