BREAKING THE TIRED MOLD OF AMERICAN POETRY
by Ruth Stone

Page 8

METAMORPHOSIS

Now I am old, all I want to do is try;
But when I was young, if it wasn't easy I let it lie,
Learning through my pores instead,
And it did neither of us any good.

For now she is gone who slept away my life,
And I am ignorant who inherited,
Though the head has grown so lively that I laugh,
"Come look, come stomp, come listen to the drum."

I see more now than then; but she who had my eyes
Closed them in happiness, and wrapped the dark
In her arms and stole my life away,
Singing in dreams of what was sure to come.

I see it perfectly, except the beast
Fumbles and falters, until the others wince.
Everything shimmers and glitters and shakes with unbearable
     longing,
The dancers who cannot sleep, and the sleepers who cannot
     dance.

TURN YOUR EYES AWAY

The gendarme came
to tell me you had hung yourself
on the door of a rented room
like an overcoat
like a bathrobe
hung from a hook;
when they forced the door open
your feet pushed against the floor.
Inside your skull
there was no room for us,
your circuits forgot me.
Even in Paris where we never were
I wait for you
knowing you will not come.
I remember your eyes as if I were
someone you had never seen,
a slight frown between your brows
considering me.
How could I have guessed
the plain-spoken stranger in your face,
your body, tagged in a drawer,
attached to nothing, incurious.
My sister, my spouse, you said,
in a place on the other side of the earth
where we lay in a single bed
unable to pull apart
breathing into each other,
the Gideon Bible open to the Song of Songs,
the rush of the El-train
jarring the window.
As if needles were stuck
in the pleasure zones of our brains,
we repeated everything
over and over and over.


  previous page
next page
table of contents
search the archives



 
  Titanic Operas Main Page
Copyright 1999 by Martha Nell Smith, all rights reserved
Maintained by Rebecca Mooney  <rnmooney@umd.edu>
Last updated on March 10, 2008
Dickinson Electronic Archives