On Method -- Mary Margaret Sloan
Migrant fixity impresses stream's metallic surface, a former moment,
but it feels the same as ever. One analyst might write complete subject on the line connecting on the horizon with dark clouds but another might prefer mobility, experience, petty crimes. Who's counting. Reviewing the forms of see, come, do, go and fall for thoughtless omissions amply discovering what is already there
to track down, put your foot down. Emotional coordinates, losing their colorful streak, are not a means of
speculation. Works inprogress, of kindness, cover cross purposes. Sandy, grassy, or housing a wood, dark is a still tract; animation lives through it, there, there. Where the data never do speak for themselves, in balance, there is no reply which persuasion does not subject to the rule of special affection. One settles down, another sighs, this one is among an unknown number fleeing, the speaker and one or more others that share in the action. Days are of several kinds, and as in each lagging slightly in some sense behind any other, attention clutters intention. Or in the order of meaning
reversed, within centuries, seconds pile up in friction between surfaceand interior. At the edge, appearances' unintended side effect, likeness will cloud
any blue: metal blue, gadget blue. For the sake of what idea, reticence to qualify (had listened, would have, will), is included in a trail of primes any one
so dear to any other one wandering in a countless predicament. Principal Reading Sources
Descartes, René . A Discourse On Method, translated by John Veitch, (New York, E.P. Dutton & Co.) undated.
Burton, Richard F. First Footsteps in East Africa or, An Exploration of Harar, (New York, Dover Publications, Inc.) 1987.
|
||
Previous Table of Contents Titanic Operas Home Page |
||
|